Episode 185: Ethics in Homer's "Odyssey" Feat. Translator Emily Wilson (Part One)
The Partially Examined Life Philosophy Podcast
Mark Linsenmayer
4.6 • 2.3K Ratings
🗓️ 5 March 2018
⏱️ 46 minutes
🧾️ Download transcript
Summary
On the classic Greek epic poem, written ca. 750 BC and translated by our guest Emily Wilson in 2018.
Does this story of "heroes" have anything to teach us about ethics? Wilson wrote an 80-page introduction to her new translation laying out the issues, including "hospitality" as a political tool, the value for status and identity of one's home (including your family and slaves), and the tension between strangeness and familiarity. Can time and change really be undone?
Transcript
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| 0:00.0 | The partial examine life depends on your support. |
| 0:02.6 | To find out how to do that and ways that are cheap or even free, |
| 0:05.6 | go to parsleyxamonlife.com slash support. |
| 0:16.6 | You're listening to the partial examine life, a podcast by some guys who are at one point |
| 0:20.0 | said on doing philosophy for living, but then thought better of it. |
| 0:23.2 | Our question for episode 185 is something like what is heroism or what does the |
| 0:28.2 | Homeric ethic of hospitality have to teach us about ethics or maybe can you really ever go home again? |
| 0:33.3 | And we read the 2018 translation of Homer's Odyssey by Emily Wilson, |
| 0:38.0 | the original being composed probably somewhere around the 7th century BC. |
| 0:42.2 | For more information, please check out partiallyexamonlife.com. |
| 0:45.5 | This is Mark Linton Meyer arriving early with rosy fingers in Madison, Wisconsin. |
| 0:50.0 | This is Wes Owen, away from home in New Orleans, Louisiana. |
| 0:53.8 | This is Dylan Casey sitting as a lion after eating a grazing ox with chest and jowls thick with |
| 1:00.2 | blood in Middleton, Wisconsin. This is Emily Wilson sitting not at my loom, but at my computer, |
| 1:06.0 | and rainy for the delp. I think you're the first guest to ever improv to make that kind of |
| 1:12.9 | introduction, Emily. Well, welcome Emily. We're tickled pink to have you on here. |
| 1:18.8 | Thank you for having me and delighted to be here. I've been highly enjoying your version of the |
| 1:23.2 | Odyssey. As you point out, we kind of associate its classical literature. So it should sound |
| 1:28.3 | stilted. It should sound formal. It should sound like Shakespeare or something is kind of what we |
| 1:32.4 | think. But no, this is so classical. It is so far from Shakespeare. So there's no point in |
| 1:37.4 | having a translation sound archaic. You might as well have it sound modern because that's |
| 1:41.2 | equally distant from the original as the archaic versions that we're sort of used to. |
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