Hello and welcome to the podcast for Outlander episode 103 the Way Out.

I'm Ronald D. Moore, executive producer and developer of the Outland Television series,

and I'm joined in the suite's broadcast by Terry Dresbeck our costume designer and by happenstance by way

Happenstance and cool and cool the gin the departure from scotch the gin is Portobello with tonic and lime. You made my

with Porta Gillis? Yours is made with botanists. Thank you. Okay. three the way out this one is

Yeah, we got the stitching. Yeah, she's commenting on where

credits fall in the name title. This episode is a bit of a departure from the book.

In fact, this was the first time that we varied significantly

from the book's frame of events.

We wanted to do an episode that pretty much like a positive Claire in the world of the

18th century and sort of had her deal with the fact that she couldn't leave and she

was still trying to figure out a way out but her method of doing so was to come up with basically a way a method of doing so was to come up with basically a way of getting their trust

so that they would trust her more and then believe that she was not a spy and be more likely to help her along the way.

It was all the pictures, wasn't it?

All the pictures are told you.

Well, which one is this?

I just told you. I just said this. 103 the way out this is the one with you know

Claire I don't remember anything this is so long ago I do not remember this

the original opening to this episode this This is not the original open. This is amazing. Sorry.

This was written for and shot for episode 104 actually and Brian Kelly suggested we move it up into one

three as a flashback and then I decide oh let's open one of three with this flashback

to Claire leaving for the front which I thought was a fact just a fun riff on the traditional

...