Marshall and Saga here. Welcome back to the re-alignment.

We have been on a tear with episodes, have brought a lot of new listeners in,

so we wanted to take a quick break and do a question and answer session.

Q&As are some of our and some of your favorite parts of the show,

and we just did not have the ability to answer every single one of these in a normal episode.

So we wanted to take the chance to answer as many of them as possible before we get back

to our regularly scheduled programming next Tuesday.

I'm going to be bringing you even more recommendations in that bookshop.

It really helps the show. You get to buy a book from an independent bookstore during the COVID-19

crisis, which is, of course, very helpful. What am I missing, Marshall?

Oh right, special shout out to the Lincoln Network Food. Let's us do all of the awesome work

that we have here on the podcast, and with that, let's get to it.

Today's question is a fun one, and surprisingly, to all of us at team re-alignment,

one of our most asked ones, it is, you've hinted that it was not easy to choose the theme song for the

re-alignment, which I love. So my question is, how did you come to choose that song? Tell me the

story of how Perezzi by Isaac Joel came to be the theme song for the re-alignment. Now,

for this question, we are bringing a special appearance by our producer Phil Hegseth,

who's been a fuss since day one. It was entirely his decision, his presentation of the options.

So we want to give his perspective on how we chose it. Yeah, hey guys. I find it hilarious that

this is maybe the most asked question that we get. We get it tweeted at us all the time. I'm a

huge music person. So from day one, when we were starting this, we wanted to find something with

a little bit of jazz, with a little bit of pop that'd be fun. I went looking on Soundstripe.

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