Ep. 49: The Soul of a Murderer
Young Heretics
Spencer Klavan
4.9 • 4.5K Ratings
🗓️ 20 April 2021
⏱️ 55 minutes
🧾️ Download transcript
Summary
Fyodor Dostoevsky lived a life like one of his novels: harsh, dramatic, profound. His exile and hard labor in Siberia showed him the innate worth of the human soul and laid the groundwork for one of his best-known masterpieces, "Crime and Punishment." In this episode of "Young Heretics," Spencer Klavan talks through the hard conditions of 19th-century St. Petersburg and Dostoevsky's harrowing psychological portrait of the murderer Raskolnikov.
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Transcript
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| 0:00.0 | It's one of the most exciting psychological thrillers of the West. |
| 0:03.5 | It's also, I believe, our first novel on this show. |
| 0:07.5 | I don't think we've talked about novels before. |
| 0:13.8 | The old woman was bare-headed, as always. |
| 0:17.8 | Her light-colored hair sparse and with gray patches, |
| 0:21.7 | smeared generously with grease, as usual, |
| 0:25.0 | was braided into a thin pig tail tucked under a comb of horn |
| 0:29.7 | that stuck out at the nape of her neck. |
| 0:32.5 | As a result of her small size, the blow came down on the crown of her head. |
| 0:38.4 | She cried out, but very weekly, and suddenly collapsed completely onto the floor, |
| 0:44.5 | although she'd managed to raise both hands to her head. |
| 0:48.0 | In one she kept hold of the pledge, then he struck her a second time and a third, |
| 0:53.5 | with all his might still using the butt of the axe and hitting her crown, |
| 0:57.5 | blood gushed forth as if from an overturned glass, |
| 1:01.4 | and her body tumbled backward. |
| 1:03.9 | He stepped away, let her fall, and then bent down to peer into her face. |
| 1:09.0 | She was already dead. |
| 1:10.6 | Her eyes were wide open, as if they wanted to jump out, |
| 1:14.5 | and her forehead and entire face were wrinkled and distorted by a spasm. |
| 1:21.0 | That is a passage from very early on in Dostoevsky's crime and punishment. |
| 1:26.6 | It's been said that this is a murder mystery in which the question is not who done it, |
| 1:32.3 | but why he done it, and most importantly, whether he's going to confess. |
... |
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