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Hot and Bothered

Ending Of: My Big Fat Greek Wedding

Hot and Bothered

Not Sorry Productions

Society & Culture, Feminism, Books, Relationships, Arts, Intersectionality

4.81.1K Ratings

🗓️ 25 November 2025

⏱️ 30 minutes

🧾️ Download transcript

Summary

For this week’s bi-weekly scene study, Vanessa and Hannah analyze the ending of My Big Fat Greek Wedding. They continue to discuss the movie's relationship to 'tackiness' as well as the promised future for Ian and Toula's daughter.


Hot and Bothered is a Not Sorry Production

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If we give you butterflies, consider supporting us on Patreon! On Patreon we have more great romance content including a bonus close scene analysis of My Big Fat Greek Wedding with Vanessa and Hannah.


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Transcript

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0:00.0

Sometimes I'm afraid that it didn't happen.

0:05.0

I'm scared that I'll wake up and still be buttering garlic bread waiting for my life to start.

0:11.0

But it did happen. It did. And I figured out some stuff.

0:15.0

My family is big and loud, but they're my family.

0:19.0

We fight and we laugh. And yes, we roast lamb on a spit in the front yard.

0:24.5

And wherever I go, whatever I do, they will always be there.

0:31.1

I'm Vanessa Zoltan.

0:37.0

I'm Hannah McGregor.

0:39.1

And this is Hot and Bothered. We are going to talk about the conclusion, the happily ever after of my big fat Greek wedding.

1:05.1

And I think we should start with the moment after the ceremony.

1:14.7

Yeah.

1:15.0

When Tula gets into the limo with Ian.

1:18.9

Okay.

1:19.8

So they finished their long elaborate Greek Orthodox wedding ceremony.

1:25.3

I've been to a Greek Orthodox wedding.

1:26.7

They are a blast. I love an elaborate

1:29.2

ritual. And they both get into the limo and immediately they begin sort of collaboratively

1:37.6

dismantling as much of Tula's outfit as they possibly can. De-tacifying. De-tacifying. She's wearing so much makeup,

1:47.4

and she starts taking the makeup off, and he's like, rub, don't blot, rub. He's like,

1:53.1

and like ripping, like, there's such a big veil and there's bows on everything and flus

1:58.3

on everything. So it's a sort of stripping away, which in and of itself

2:02.7

feels like an interesting moment, right? Because it's like she's her own person. Now she can literally

...

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