4.5 • 673 Ratings
🗓️ 8 August 2021
⏱️ 24 minutes
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0:00.0 | There are arrowheads in the walls. |
0:03.2 | I'm Ramtin Arablui. |
0:04.9 | I'm Randabed Fetheh, and we're the host of ThruLine, NPR's History Podcast. |
0:09.7 | And for our special series this month, the best of ThruLine. |
0:13.6 | You know, if we carry on as we have been, this is what we might wind up with. |
0:17.0 | Listen now to the ThruLine podcast from NPR. |
0:27.6 | Maluma, baby. J. Valba. with listen now to the through line podcast from npr maluma baby j valvin columbia this is for you guys she's pauses she's allita and i'm going to solo she says From Mv. Yeah, From NPR Music This this is Alt Latino. |
0:57.8 | I'm Felix Contreras. |
0:59.4 | We're listening to Kepena by Maluma and J. Belvin. |
1:02.9 | It has spent a number of weeks on the Billboard Latin music charts, |
1:06.7 | and it currently has 159 million views on YouTube. |
1:11.1 | It's just the latest example of how the genre that has become known as Latin Urban |
1:16.2 | has dominated the music industry, not just here in the U.S. and in Latin America, but all over the world, really. |
1:22.6 | This week we're going to take a look back at the last decade and how Latin urban became such an influential genre. |
1:28.7 | We're going to look at it from a music industry perspective, from a sociological perspective, |
1:32.7 | and we're also going to hear from one of the artists who was part of the earliest days of reggaeton, |
1:37.2 | long before it became part of Latin Urban. |
1:40.0 | But first, let's hear the rest of Keppana I'm gonna blah blah blah blah |
1:46.0 | for that I'm for me all the days are |
2:02.6 | oh hey |
2:03.6 | that's a pain |
2:04.6 | your name no but your |
... |
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