4.9 • 4.9K Ratings
🗓️ 5 February 2024
⏱️ 3 minutes
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0:00.0 | Come on, come on, come on. Where is he? |
0:03.0 | Doctor. |
0:05.0 | Ah, Dr. Hilber, thank goodness, there you are. I need help. |
0:10.0 | Officer rifle, what seems to be the problem? |
0:14.2 | I don't know. |
0:15.7 | I feel like nothing I do sounds the way it ought to. |
0:19.6 | The funny parts aren't funny. |
0:21.6 | The exciting parts aren't exciting. it's like I've lost the |
0:24.9 | script on my whole life. I see. Do not be worried officer I fell. Problem is |
0:30.7 | serious but there is simple solution. |
0:33.7 | Is the great clown polyache in town? |
0:36.1 | Even better. |
0:38.1 | Podcast creator Gabriel Urbina is offering online workshop on how to write the great audio fiction. |
0:46.0 | He is? He is. |
0:49.0 | Is comprehensive journey through the building blocks of gripping podcast stories? Does it cover the... of It explains how audio fiction can do things no other medium does, |
1:04.0 | such as making the audience imagine visuals that cannot be seen. |
1:08.0 | You mean like that weird room in the back of the station where the walls are painted a color that's darker than black? |
1:13.7 | Precisely. |
1:14.7 | Or the way you can introduce new details into scene and completely change audiences understanding |
1:19.5 | of what was happening. |
1:20.7 | Oh, is that why you're dressed up as a Teletubby to illustrate that concept? |
1:25.2 | No, I am wearing this for my own purposes. Do not ask any more questions about the outfit. |
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