4.9 • 4.9K Ratings
🗓️ 15 January 2025
⏱️ 3 minutes
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0:00.0 | Come on, come on, come on. Where is he? Doctor. Ah, Dr. Hilbert. Thank goodness. There you are. I need help. |
0:10.7 | Officer rifle. What seems to be the problem? I don't know. I feel like nothing I do sounds the way it ought to. |
0:19.2 | The funny parts aren't funny. The exciting parts aren't exciting. It's like I do sounds the way it ought to. The funny parts aren't funny. |
0:23.1 | The exciting parts aren't exciting. |
0:26.1 | It's like I've lost the script on my whole life. |
0:26.9 | I see. |
0:29.6 | Do not be worried, Officer Eiffel. |
0:33.4 | Problem is serious, but there is simple solution. |
0:35.8 | Is the great clown Paliachi in town? |
0:37.3 | Even better. |
0:38.3 | Podcast creator Gabriel Urbina is offering online workshop on how to write the great audio fiction. |
0:46.3 | He is? |
0:47.3 | He is. |
0:49.3 | His comprehensive journey through the building blocks of gripping podcast stories. |
0:53.3 | Does it cover the basics of how to write scenes without any visuals? |
0:57.0 | Absolutely. But it goes beyond that. It explains how audio fiction can do things no other medium does, |
1:04.0 | such as making the audience imagine visuals that cannot be seen. |
1:08.0 | You mean like that weird room in the back of the station where the walls are |
1:11.3 | painted a color that's darker than black? Precisely. Or the way you can introduce new details into |
1:16.9 | scene and completely change audiences' understanding of what was happening. Oh, is that why you're |
1:22.5 | dressed up as a telotubby to illustrate that concept, no. I am wearing this for my own purposes. |
1:30.3 | Do not ask any more questions about the outfit. |
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