I'm pulling out the parking space, so we all know what that means. It's time for another drive to work.

Okay, so today I had to deliver my son's Rube Goldberg project to school. So I am leaving from school, but, as we all know, school's right near my house, so we get a full day of drive to work, full episode.

Okay, so today I'm going to talk about a continuous series that I call Lessons Learned,

where I started this long ago, where I talk about sets that I've led,

and what lessons I learned from leading those sets.

Just turns out by the mere circumstance of how things work,

that I'm up to Indistrad at the same time that I'm talking about Indistrad block.

They converge.

So what I'm going to do is I'm going to talk about Innesrod and I'm going to talk about Dark

Ascension.

My plan is that this podcast will probably be Innesrod, but if I get to Dark Extension we get there,

I might, I might intertwine to, actually, maybe what I'll do is I'll intertwine a little bit since

some of the lessons between the two of them that they were shared.

I did both Inest Rod and Dark Ascension.

It's the only large, small, back-to-back set.

Well, I did Shadowmore even tight, so I guess it's the second one I've done.

But anyway, so let's talk about what did I learn. So here's, let me start up by saying the

following. If you had to ask me of every set that I've done that's been released, what set

is my best design? Probably, I have to say Indistrade.

I mean, I have some soft spots for like Tempest and unglued and some of my early stuff that just emotionally means a lot to me.

But probably, if I had to be honest, like, what is the best design I've done?

I think Innestrade is the answer.

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