Do we have to like you to like your art? [97]
Art Juice: A podcast for artists, creatives and art lovers
Louise Fletcher/Alice Sheridan
4.8 • 1.1K Ratings
🗓️ 17 November 2020
⏱️ 61 minutes
🧾️ Download transcript
Summary
This week's episode was inspired by two different listener questions. Cathie asked whether likability matters when it comes to appreciating art (for example, does it matter that Gauguin might not have been the nicest person?). Meanwhile, Pam asked how much she has to reveal about herself in order to sell her work. We decided it would be interesting to debate this idea of the artist persona and how much it matters. Our discussion begins with great artists who were, let's say, less than perfect. Does the fact that Caravaggio committed at least one murder mean that we can't appreciate his art? If he had been alive today, would he have been shunned by galleries and collectors, thus depriving us of his work and influence? And how much does it matter if we find out that our favourite artists have traits and habits we don't like?
We then go onto to discuss the importance of persona when it comes to selling our own work. How much - if anything - do we need to reveal? How honest do we need to be? Is it enough to simply show our work - or do we need to show more of ourselves? And what are the key messages we should be sending?
Mentioned
Alice's Connected Artist Club https://alicesheridan.com/artists/
Maggi Hambling documentary https://www.bbc.co.uk/programmes/m000nx23
Mary Wollstonecraft statue https://www.theguardian.com/books/2020/nov/10/mary-wollstonecraft-finally-honoured-with-statue-after-200-years
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Credits
"Monkeys Spinning Monkeys" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License
Transcript
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| 0:00.0 | I did a Google search for I couldn't find unlikable artists or artists who were difficult so I just did a Google search for artists who were dicks and that brought up loads. Hi and |
| 0:19.6 | welcome to episode 97 of art juice. |
| 0:21.9 | This is honest, generous and humorous |
| 0:23.7 | conversations to feed your creative soul and get you thinking with me Louise Fletcher |
| 0:28.4 | and me Alice Sheridan. And today we've got a juicy topic which was introduced by two different listener questions. |
| 0:36.4 | We're going to talk about how important it is to like an artist in order to like their work, but also what that means for us in terms of |
| 0:46.4 | projecting a persona or how we present ourselves to the world. So we think this will be a good one, |
| 0:52.0 | but first of all, what have you been up to this week Alice? |
| 0:55.0 | I've been busy lady this week. |
| 0:58.0 | I know I've seen you whizzing around. I have a |
| 1:05.0 | a bit busy around what's interesting is so basically I have all of a sudden a bit of a gallery |
| 1:10.8 | deadline and what's interesting about that is how it has made me recognize how we work best. |
| 1:20.0 | I was perfectly happy, la la, I have no rush, I have no pressure, I can develop this work slowly in my own time, there was not a thing, I wasn't trying to get work ready for Christmas or anything like that but it's also being quite fun having a deadline |
| 1:39.9 | that is imposed by somebody else in this case, |
| 1:43.4 | usually when I have a deadline itself imposed, |
| 1:45.9 | but in this case, A, the fact that somebody else is interested |
| 1:49.2 | is quite nice, I'm sorry, but it is, |
| 1:57.0 | but it's really kind of made me focus in like what do these paintings need to get them over the finish line so lady came and she said can I |
| 2:01.5 | take that one and can I say no you can't I said it's close but I'm not ready to let it go |
| 2:06.9 | Not happy and a need to work on them and in my head I have to have them all working together so I've been doing that like a |
| 2:15.2 | slightly crazy thing you have to back up a little bit and you have to tell us which |
| 2:19.3 | lady and what gallery and what's going on well it's a London gallery and she has her own clientele, |
... |
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