Deep Dive: It Ends with Us/These Lawsuits - Part 7
High & Low
Elevated Entertainment, LLC
4.8 • 586 Ratings
🗓️ 5 January 2025
⏱️ 76 minutes
🧾️ Download transcript
Summary
The conclusion of Justin Baldoni's jam packed lawsuit against the New York Times that covers a pile of alleged inaccuracies from their article regarding a "smear campaign" against Blake Lively. Full text message exchanges between Justin's team seem to present a different reality from the vindictive scenarios outlined in Blake's complaint. Justin's version tells a story of his small production house being blindsided and strong-armed into submission by a powerful celebrity couple. Multiple things can be true, and while several allegations weren't addressed, both sides want a jury trial which hopefully means every detail will be shared at some point.
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Transcript
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| 0:00.0 | Welcome to the high and low podcast. |
| 0:08.1 | This is your host, Bravo, Bravo, Bravo, Talking Bravo, and this is part seven, part seven of the |
| 0:14.6 | It Ends With Us Drama. |
| 0:16.4 | We are in the meat of Justin's filing against The New York Times and we're really starting to get into |
| 0:22.0 | the core of his accusations, which is that Blake's strong-armed production took over the film, |
| 0:30.0 | etc. If you want to follow along, I'm on page 33 and I'm showing more text messages between |
| 0:36.5 | the editing team, two star editors that were working on |
| 0:39.8 | this film with Justin, very tight crew, and him talking about how they are being pushed out. |
| 0:46.8 | It's annoying because some of these text messages don't have dates, but just knowing the kind of |
| 0:51.5 | timeline of what's been happening, I'm going to say that this took place in |
| 0:55.0 | January or February of last year. And what Justin is saying to them is, hey, Blake wants to know |
| 1:00.6 | when you could be here next week. I think he's talking to Una. My assumption is that Una is |
| 1:06.1 | editor two and that Rob is editor one. So they're going back and forth of like, I can be there this day or that day. |
| 1:12.1 | And he's like, well, would you prefer to do work from home? |
| 1:15.1 | Like, you don't have to fly out for this, you know. |
| 1:17.9 | But their response to him saying, we can make accommodations for you to work from home, |
| 1:23.6 | is them saying, I want Blake to feel like she's getting what she wants so we can move on from |
| 1:29.7 | this need of hers. That was a direct quote. His reply to that is, for the record, she's been |
| 1:36.0 | getting what she wants this entire movie. And he goes on to say, and she's getting to edit, |
| 1:41.0 | which is what she wants. Let's remember that, L.O.L. And editor two says yes, and yet, dot, dot, dot. He writes, true. Editor two, again, who I think is Una, says, I don't want to give her any opportunity to say, well, because so-and-so was in L.A. We could only work certain hours, so I need more time time and I didn't really get what I needed |
| 2:01.2 | or whatever it may be. Justin replies, point is, if you feel it's best and you want to go there, |
| 2:07.2 | no problem at all, also if you want to stay home, that's something we can say. I just want you to do |
... |
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