4.8 β’ 1.8K Ratings
ποΈ 7 September 2023
β±οΈ 28 minutes
ποΈ Recording | iTunes | RSS
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Jonathan Willette is brutally murdered, his headless body discovered under mysterious circumstances and a chemical haze. The case is rife with complex family dynamics and an ever-changing narrative from the accused. Joseph Scott Morgan and Dave Mack explore the forensic complexities of identifying a headless victim, the psychology behind such gruesome acts, and the role of familial dynamics in criminal investigations. Morgan lends his expertise on death investigation, discussing everything from chemical smells at crime scenes to the increasing trend of decapitation cases. Together, they offer a comprehensive and chilling look into a murder case that defies easy explanation.
Time codes:
00:00:00 β Joseph Scott Morgan sets the stage by discussing the complexities of death investigation. He introduces the episode's focus on the perplexing case of Jonathan Willette.
00:01:00 β The unique and complicated relationship dynamics in Jonathan Willette's case are revealed by Morgan. He describes how these complexities add another layer to the already gruesome murder.
00:02:00 β Dave Mack chimes in with his perspective, likening the case to a horror movie titled "Headless in Las Vegas." He discusses the emotional toll of discovering a loved one in such a state.
00:03:40 β Morgan uses the term "familial dynamic" to express his confusion over the complex family relationships in this case. He questions how these dynamics could have played into the crime.
00:04:00 β A haunting image is painted by Morgan as he describes the moment the victim's mother discovered her son's headless body.
00:05:20 β Mack outlines the complicated relationship between the victim and his son, adding another layer of complexity to the case.
00:07:53 β Insurance could be a motive, suggests Morgan. He also alludes to a sinister confession made by the perpetrator during police questioning.
00:09:10 β A lighter moment occurs as Dave Mack recounts a humorous story from years ago. He describes a terrifying experience involving a seemingly breathing corpse.
00:11:04 β What's the protocol for a decapitated body? Mack inquires, leading Morgan to explain the crucial role of the medical examiner in such cases and elaborates on his role in crime scene investigations, particularly in cases involving severe body mutilation.
00:15:01 β The gruesome topic of decapitation in murder cases is discussed by both hosts. They ponder the mindset of the perpetrator and the circumstances under which it can happen.
00:18:42 β Mack questions the lack of a blood trail and the presence of a chemical smell at the crime scene, adding another layer of mystery.
00:19:30 β Morgan shares his experience with dangerous chemical combinations in morgues, highlighting the risks involved.
00:22:09 β Cleaning products at the crime scene? Morgan speculates on an attempt to clean up and what evidence might remain.
00:23:00 β The challenges of finding a disposed head in a garbage bin are explored by Morgan. He discusses the logistical difficulties involved.
00:23:40 β The accused admits to hitting Willette in the head, leading to a discussion on her changing narrative.
00:24:00 β Mack points out inconsistencies in the accused's story, questioning the credibility of her statements.
00:24:40 β The physical appearance of the body and a missing meat cleaver raise more questions for Mack.
00:25:20 β Morgan delves into the mechanics of using a meat cleaver for decapitation, discussing the likely injuries and marks left on the body.
00:27:00 β The episode wraps up with Morgan talking about potential tool marks that could help identify the weapon used. At the time of recording, authorities have only an accused person.
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0:00.0 | In Death Investigation, I've been there to try to make sense at many scenes about what |
0:26.3 | the catalyst was that started the wheels in motion when you think about bodies being torn to ribbons and you |
0:36.2 | only have a remnant left behind many times. Sometimes bodies are intact but many times we show up at |
0:42.3 | scenes and all you're left with this evidence of horror. Today we're going to talk about a gentleman |
0:51.8 | who was previously married to a lady by the name of Devon Michaels. To make matters even more |
0:58.4 | interesting, this woman is now married to this gentleman's son, this gentleman Jonathan Willett and he |
1:05.5 | was literally butchered. I'm Joseph Scott Morgan and this is Body Bags. |
1:12.9 | So your young cop you'll walk into a room and probably the first thing that you're expecting to see if |
1:24.0 | you've been called out on a death is a dead body. Sometimes your senses are hit with the odor of |
1:30.7 | decomposition. Many times you smell things before you see them just does happen but in today's case |
1:38.1 | you're hit with a smell that is not decompositional but you're actually hit with a very strong chemical |
1:45.1 | odor and when you do finally see the body you see smoke what they define or call smoke emanating |
1:52.9 | from these remains. It's a real conundrum. As a parent I can't imagine anything worse than finding |
2:00.9 | your child dead but what will its mother found was his body there's no head we don't know where |
2:07.9 | the head is even as we do this show today we still don't know that's why we're doing the show body |
2:14.2 | bags today on wonderful Devon Michaels and the relationship she had with her husband and her |
2:22.6 | baby daddy husband and her husband actually was the baby of the daddy that she's married well you |
2:29.5 | get the picture yeah it's it's almost like you need a lineup card or maybe a play build to keep |
2:35.0 | up it's when I first came across this case I was dumbfounded because I couldn't make sense of what |
2:43.3 | I think sociologists like to refer to as the familial dynamic don't you love that academic turn |
2:49.0 | I hope that you're impressed and you think about this dynamic that was going on in this household |
2:54.6 | and it's to say that it is strange is would be an understatement but what we do know as you |
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