4.6 • 639 Ratings
🗓️ 30 November 2011
⏱️ 28 minutes
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Elvis Mitchell as he hosts David Cronenberg for a master class in the origins of psychoanalysis and an up-close look at Cronenberg's constant evolution as a filmmaker.
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0:00.0 | From KCRW, Santa Monica and KCRW.com, this is The Treatment. |
0:15.4 | Welcome to the treatment, which you can also hear at KCRW.com. |
0:18.8 | My guest, director, David Cronenberg, has been with us for every movie he has done since 1996. |
0:25.0 | Amazing. |
0:25.5 | Amazing. |
0:26.6 | His newest film, A Dangerous Method, is an adaptation of the book, The Most Dangerous Method, adapted by Christopher Hampton. |
0:32.5 | David, thanks so much for coming back to the show. |
0:34.3 | Well, my pleasure. |
0:35.4 | There is more light in this movie than any movie you've ever done. |
0:38.4 | It suffused with light. |
0:39.7 | We got lucky with the weather. |
0:40.9 | What can I say? |
0:42.3 | Well, you know, I say that jokingly, but it's also true. |
0:47.3 | You know, there's an element of found art in any movie, especially when you're on a budget, |
0:52.1 | you know? |
0:52.7 | So the weather in Germany, where we were |
0:56.0 | shooting, was fantastic. And if it had rained on some of those days, I probably would have |
1:01.3 | shot those days, you know, because we couldn't have afforded to just wait for the weather. |
1:05.5 | Having said that, though, of course, there's this style of the interior lighting and so on. And |
1:10.6 | it's not a plan, You know, it's not, |
1:13.5 | I mean, the way I work with my director of photography is we, we, it's all intuitive. You know, |
1:19.2 | it's not like we come to it with an agenda, really careful plan, a sort of a schematic thing or |
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