4.9 • 7.6K Ratings
🗓️ 8 January 2020
⏱️ 77 minutes
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0:00.0 | Come in by's and garrows. Welcome to Cook Holland's Royal Derby. It's May |
0:07.0 | blind by and this is the blind by podcast. How is everybody this week? If you're a |
0:16.6 | first time listener because you know I'm conscious of a few first time |
0:22.7 | listeners because it's it's 2020 and an order has been some recommendations. If |
0:26.3 | you're a first time listener of this podcast I recommend going back to some of the |
0:33.9 | earlier podcasts. Don't necessarily have to start here. This is podcast 118 which |
0:39.5 | means 118 fucking episodes which is a lot. So I would recommend not starting here |
0:44.9 | but you don't have to go back to the very start can if you want but there's a lot |
0:51.0 | of podcasts there to listen to and I'd suggest that first before starting |
0:55.2 | here because this week's podcast in itself is a continuation and a series of |
1:06.0 | podcasts I've been doing over the past two years. By which I mean I've done |
1:15.0 | four podcasts I believe on the history of disco music and how disco evolved |
1:26.6 | into techno and house and shit like that and I consider I consider disco to be |
1:36.4 | an incredibly important genre of music in how it all should in electronic music |
1:41.2 | and it's a very just a very fascinating postmodern genre of electronic sound |
1:50.2 | you know so I'm fascinated with it so this week's podcast is going to be |
1:55.3 | another it's going to tell the story of disco and how disco evolved into |
2:02.1 | electronic music but whereas with the first podcasts I focused on New York |
2:08.9 | Chicago and Detroit this week I want to focus on San Francisco because something |
2:17.2 | in disco music happened in San Francisco at the same time that was separate |
2:21.5 | that's quite interesting and before I get into it what do I need to say yes my |
2:35.0 | my BBC series I've made a television series on BBC which is on the BBC eye |
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