So welcome back, everybody.

I just got to see, I think it's out two days ago, the film Corey Feldman versus the world.

Holy S-H-I-T-exclamation mark.

I have to be careful.

The first seven minutes of YouTube have to be clean.

My God.

It was a, how do I say it? I'm not going to say anything. I have today the director of the producer and the shooter, the cinematographer, of the film. Marcy Hume is here today. Thank you so much for joining me. I'm really excited to talk to you. I'm really excited to talk to you. Thank you so much. And thanks for saying all those great things. Yeah. I want to, there's so much I want to jump into, but just for my audience,

can you give my audience a sense of, like, who you are, where you came from, that you ended up making this film and make films at all?

Just curious.

Sure. Well, who I am is, I mean, I'm somebody that pursued

documentary making in the way that we all just pursue, hopefully pursue things that we

love and are passionate about. And recently in, you know, when you're in a moment of talking

about the things that you're doing and talking about a film, you're forced to

introspect more than usual. So right now, I would say my obsessiveness about people and

understanding what's going on with people in the human condition and our behavior together

is really what drives me to make documentaries. That's my high-level assessment. But I think

documentary making is an instinct, and you just know if that's something that you want to do. I remember

the first time I saw a Veritas documentary, and it was as though the sky opened up and it just was a new a new world presented

itself to me. So I just doggedly pursued work experience at the BBC, which is where I was living

in London at the time and began my way, forcing my way up the ladder over there

in that neck of the woods of our world and began learning the ropes in every way,

learning how to film and it's a great, working in the UK is a great way of learning because

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