Hey, I'm Josh Barrow, your new host of Left, Right, and Center.

Every week join Rich Lowry, Bob Shear and Me for a contentious yet civilized debate of the week's big political stories,

from ISIS to the U.S. economy to this 47 candidate presidential election we're having.

You can find Left, Right and Center on KCRW's iTunes page.

From KCRW Santa Monica and KCRW.com, it's The Treatment.

Welcome to The Treatment.

I'm Elvis Mitchell.

The movie All Things Must Pass is multi-generational story of music, greed, lust, power.

It's not empire. It's the story of Tower Records. And it's director who should have been on the show a long time ago.

Let's finally join me here. Colin Hanks. First of all, thanks so much for being here, Colin. Thanks me, it's nice to see you. But it is a, finally, it's a multi-generational story about

shifts in pop culture. Yeah, I mean, you know, Tower, for lack of a better phrase, really does

represent the music industry or the retail industry as we knew it. It was there at the beginning,

and it was sort of the first visual casualty that common people saw and went, oh, wow, yeah,

okay, things are changing now. Things really are different. And Russ Solomon and the people that worked at Tower, they were there

for the whole thing, the whole ride. So it's, it's multi-generational for music. It's multi-generational for

the family of Tower. And it most definitely was a family. Because it really starts with the founder's

father having a pharmacy where they started

to sell used records. And that was in Sacramento. That was the moment when I had the light bulb

moment of this is a documentary because I found that out probably a week or so before the stores

were closing. I was having dinner with an old family

friend of mine from Sacramento. And you used to go to the Sacramento stores. Yeah, I mean, I grew up in

Sacramento. I spent all my money in Tower Records. I bought my first concert ticket at Tower Records.

...