4.6 • 806 Ratings
🗓️ 11 March 2021
⏱️ 44 minutes
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0:00.0 | We've always been very actor-oriented. |
0:02.0 | We love it. |
0:03.0 | And also I would say, too, like, the other thing is we're highly collaborative. |
0:06.0 | You know, the fact that Joe and I work as a team speaks to the fact that we love the process of collaboration in filmmaking. |
0:13.0 | So we extend that process of collaboration to everyone, our actors, our cinematographer, etc. |
0:20.0 | So we really treat everybody as fellow filmmakers |
0:23.2 | with us. Hello and welcome back to the director's cut, brought to you by the Directors Guild of |
0:29.5 | America. Today's episode takes us behind the scenes of director Anthony and Joe Russo's new drama, |
0:35.4 | Cherry. The film tells the story of Cherry, a college |
0:38.7 | dropout with only one solid thing in his life, his true love Emily, who drifted into becoming |
0:43.8 | an army medic in Iraq. After he returns from the war with post-traumatic stress disorder and |
0:49.3 | his drug addiction puts him into debt, Cherry resorts to becoming a serial bank robber. In addition to Cherry, the Russo Brothers' other directorial credits include the feature films, |
0:59.0 | Avengers Endgame, Avengers Infinity War, and the movies for television, The Council |
1:04.0 | of Dads, and Courtroom K. The Russo Brothers spoke with DGA past president Paris |
1:10.0 | Barclay about filming Cherry in front of a virtual |
1:12.4 | audience. Listen on for their spoiler-filled conversation. Welcome, everybody. I'm here with at least |
1:18.8 | one of the Russo's. Oh, here, I have both of them together to talk about Cherry today. Guys, I was |
1:25.9 | devastated. I had that moment of silence when the film is done. |
1:31.3 | I watched it by myself on my own personal screen, and it wrecked me for a bit. |
1:37.3 | And I think part of the reason it wrecked me is because it was, you know, very much to me, |
1:42.3 | like the experience I had watching the deer hunter, |
1:44.5 | which is what came to mind after it, which was I really had nothing more to say, and I had |
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