4.6 • 1.1K Ratings
🗓️ 14 November 2025
⏱️ 67 minutes
🧾️ Download transcript
Russell and Robert meet leading art Chantal Joffe in her East London studio. We explore I Remember, Chantal Joffe’s fourteenth solo exhibition for Victoria Miro gallery. I Remember takes its title from Joe Brainard’s iconic memoir and is inspired by the late American writer’s poetic prompts that evoke the atmosphere and time of memories. Joffe’s paintings attempt to capture the fleeting yet enduring nature of memory and how it shapes our sense of self. This evocative new series of large-scale paintings explores themes of memory, nostalgia and personal history to offer a reflective and deeply personal journey into the artist’s childhood and family life. The exhibition is accompanied by a new text, entitled Time Transmission, by Olivia Laing.
‘Joe Brainard’s book always makes me list for myself the things I remember and the atmosphere and time that they conjure. These paintings are a sort of memoir of my childhood and of my family, an attempt at a kind of time travel. When I am making them, it’s almost as if I am existing in that past.’ – Chantal Joffe
Chantal Joffe’s paintings are always attentive to narratives about connection, perception and representation, alerting us to the endless intricacies of bodily expression, the complexities of emotion and attachment, and how these change over time. This evocative new series explores themes of memory, nostalgia and personal history to offer a reflective and deeply personal journey into the artist’s childhood and family life.
A new book published by MACK to conicide with this new show, Painting Writing Texting chronicles the friendship between Chantal Joffe and writer Olivia Laing, which began in 2016 when Joffe approached Laing to ask if they would sit for a portrait. From this unexpected encounter, the two embarked on an expansive and ranging collaboration, fuelled by conversations about art, books, and their shared attempts to understand the world. Combining ten essays by Laing with a sequence of paintings by Joffe, Painting Writing Texting explores the strange and risky process by which everyday life is converted into art.
Born in 1969, Chantal Joffe lives and works in London. She holds an MA from the Royal College of Art and was awarded the Royal Academy Wollaston Prize in 2006. Chantal Joffe brings insight and integrity, as well as psychological and emotional depth, to the genre of figurative art. Defined by its clarity, honesty and empathetic warmth, her work is attuned to our awareness as both observers and observed beings, bold and expressive in style yet always questioning, nuanced and emotionally rich. A primary focus throughout Joffe’s career has been on the women and children in her life, captured at various stages of their own lives. Joffe has talked about her paintings in terms of transitions, those associated with growing and ageing, as well as her attempts to mark a life’s milestones. The complex relationship between mother and child over time has been a significant theme, while self-portraiture, which Joffe considers ‘a way of thinking about time passing’, remains one of the cornerstones of her art. Whether drawing inspiration from art history, popular culture or personal experiences, Joffe’s paintings are always attentive to narratives about connection, perception and representation. They alert us to the endless intricacies of bodily expression and the myriad ways in which we reveal ourselves and communicate emotion, consciously or otherwise, even in the most private of moments.
Chantal Joffe: I Remember runs until 17th January 2026 at Victoria Miro, Wharf Road. Follow @VictoriaMiroGallery
Hosted on Acast. See acast.com/privacy for more information.
Click on a timestamp to play from that location
| 0:00.0 | Good afternoon, good morning, good evening. |
| 0:08.3 | Whatever you are in the world, I'm Russell Toby. |
| 0:10.1 | And I'm Robert Diamonds. |
| 0:11.1 | And this is Talkart. |
| 0:11.8 | Welcome to Talkart. |
| 0:13.2 | How are you today, Robert? |
| 0:14.6 | Today, Russell, I am feeling perceptive. |
| 0:18.4 | Oh. |
| 0:18.8 | Yeah. |
| 0:19.1 | And I'm also, I've said it before in another episode, but I'm also |
| 0:21.5 | feeling a bit like a time traveller again, because today's guest, I think, is incredibly perceptive. |
| 0:27.0 | And her work, I came here in May, the end of May, 2025. And it was the same weekend as Fat Tony's |
| 0:34.1 | wedding. I always remember it, because I had this very beautiful weekend feeling |
| 0:37.6 | inspired. And one of the main reasons I was feeling inspired was because of my visit here. |
| 0:42.3 | And the thing that I left with was this real feeling of a kind of interrogation into what it is to be |
| 0:49.6 | human. And there were so many little drawings and little paintings and kind of memories of even going to |
| 0:57.5 | the park for a walk with the dog say and how that suddenly becomes a whole series of drawings and |
| 1:03.9 | it was like every angle of somebody that the artists were meeting today might have noticed in the park |
| 1:09.8 | say like every kind |
| 1:11.1 | of body movement, every gesture sort of matters. And I love that interrogation into the |
| 1:16.6 | human psyche, into the soul, into how we are as our physicalities of our bodies. And the |
| 1:21.7 | other thing I thought was, apart from this studio being such an impressive kind of universe, |
... |
Transcript will be available on the free plan in 8 days. Upgrade to see the full transcript now.
Disclaimer: The podcast and artwork embedded on this page are from Russell Tovey and Robert Diament c/o Independent Talent, and are the property of its owner and not affiliated with or endorsed by Tapesearch.
Generated transcripts are the property of Russell Tovey and Robert Diament c/o Independent Talent and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.
Copyright © Tapesearch 2025.