4.6 • 1.1K Ratings
🗓️ 7 November 2025
⏱️ 67 minutes
🔗️ Recording | iTunes | RSS
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We meet Ginny and Hartley Neel, Executive Directors of the Estate of Alice Neel, and the artist’s daughter-in-law and son. We explore her current exhibition in Belgium at Xavier Hufkens.
Alice Neel is widely recognised as one of the great American painters of the twentieth century. Her success, however, has largely been posthumous. In the past decade, interest in her work has grown exponentially, with a series of landmark exhibitions and art historical studies firmly cementing her position on the international stage.
Neel’s oeuvre is fascinating on two counts: not only was she an incredibly gifted painter, but also an astute and idiosyncratic chronicler of some of the most tumultuous decades in American history. While she also painted landscapes and still lifes, Neel is best known as a painter of people. Her sitters included artists, writers, intellectuals and family members, as well as people living on the margins of society, particularly immigrants. Deeply committed to equality and social justice, Neel was interested in the human struggle for survival, and in mankind’s capacity for resilience in the face of hardship and deprivation. With her distinctive brushwork and remarkable feel for colour, Neel succeeded in capturing the inner psychological depths of her sitters. Her commitment to truth and dedication to figuration—unfashionable during her lifetime—ensured that her work remained permanently out of kilter with avant-garde movements such as abstract expressionism, pop art and minimalism. Yet her uncompromising approach gave rise to a unique and highly individualistic body of work that continues to exert an influence on contemporary artistic production.
Alice Neel Still Lifes and Street Scenes runs until 22 November 2025 at Xavier Hufkens, Van Eyck, Brussels, Belgium. Follow @XavierHufkens
The first retrospective dedicated to the artist in Italy, ’Alice Neel: I Am the Century’ is now open @PinacotecaAgnelli at in Turin, Italy – on view through 6 April 2026.
Special thanks to the Estate of Alice Neel and Xavier Hufkens, Brussels for making this conversation possible. #aliceneel #xavierhufkens #pinacotecaagnelli
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| 0:00.0 | Good afternoon, good morning, good evening, wherever you are in the world. I'm Russell Tovey. |
| 0:09.0 | And I'm Robert Diamant. And this is Talkard. Welcome to Talkard. How are you today, Robert? |
| 0:14.1 | Today, Russell, I am protecting my inner world. Oh, lovely. Yeah, I've been thinking a lot about inner worlds, especially for artists. |
| 0:23.7 | We visited a few artists recently, and each one we visited, I keep thinking about the |
| 0:27.9 | privilege of going to an artist studio. |
| 0:30.2 | Now, today we are here, well, you are here, because I'm actually not going to be able to |
| 0:34.3 | be part of the episode in full, but we are here to talk about |
| 0:38.7 | an artist who died in 1984 and is an artist that both you and I have really looked up to. |
| 0:44.5 | And actually, guests on this current season are also kind of like in a lineage in a way |
| 0:49.7 | in conversation with this artist, because she is one of the world's kind of foremost portrait |
| 0:56.3 | painters, essentially. She was kind of celebrated and is celebrated to this day for her paintings |
| 1:01.4 | of people. She even did amazing portraits of people like Andy Warhol and really captured a community |
| 1:07.9 | at that particular time in her life. If you think of the kind of 60s, 70s, |
| 1:12.8 | 80s, New York, which was a really magical kind of melting pot of all different kinds of people. |
| 1:18.6 | And she's known for these portraits of other people. And sometimes with artists like that, you |
| 1:23.2 | might forget about, you know, the artists themselves because you think about the people |
| 1:27.4 | they're painting. But what I love about the new show, which is opened right now at Zavia |
| 1:31.9 | Hufkins in Belgium, it's called Still Lives and Street Scenes. And what it does is it's showing |
| 1:37.3 | us a different side to today's artist and really gives you a kind of reflection of her inner |
| 1:43.2 | emotional state and a kind of more maybe a kind of reflection of her inner emotional state and a kind of more |
| 1:46.0 | maybe subtle kind of perspective of how she felt about things. And it also includes a beautiful |
| 1:52.0 | portrait of one of her close friends as well, called John with Bowl of Fruit from 1949. And I love |
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