Hi, this is Dick Miller.

You're listening to Junk Food Cinema,

who were these guys? I bet you if you got every rat in town together and said, show your hands if any of them have actually seen shocking dark, you'd get a crowd of full pockets.

If you've got knives in your eyes, you better go home sick. You see, we pick our teeth with ninjas.

And if you think we take a powder when Fast 5 hits the tube, you're scratching at the wrong door. So we'll tell you with

the tale of Meeklo and Battletruck, like a couple of cads. But before we start the show, you better

be sure you want to know what you want to know here on junk food cinema, brought to you by

FilmSchoolRejects.com.com.com.com.

Dot prepared intros are always the longest intros. Welcome everybody to the weekly

Colton Exploitation Filmcast. So good. It just has to be fattening. I'm your host,

Brian Salisbury. I'm joined as per usual. And thanks to the miracle of technology by my friend

and co-os, T Teas and Hovelis,

tease the screenwriter, Lieutenant of Megaforce, Mr. C. Robert Cargill. Hi.

How's it going, man? It's, uh, it's going. It's, uh, it is another week of doing this

without being in the same room. Sad face. It is very sad. And yet somehow we managed to keep our spirits up. I don't know how we do it.

I don't know what it is. We will find out in this episode. But before we get into it, let me take

care of a little bit of business. And that is to let you know that our entire back catalog is on

Spotify. It's on iTunes. It's on Spreker.

It's on Stitcher.

It's on Dasher and Dancer and all of the other John Frankenheimer films.

And you can also follow us on Twitter at junk food cinema. Like the podcast on Facebook.

Facebook.com slash junk food cinema.

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