Director Brad Bird (The Iron Giant, The Incredibles) uses animation as a format to tell stories of emotional intimacy. His lates film for Disney/Pixar is Ratatouille.
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0:00.0 | From KCRW in Santa Monica, this is The Treatment. |
0:14.0 | Welcome to The Treatment. I'm Elvis Mitchell. You can also hear the show at KCRW.com. |
0:18.7 | My guest, Director Brad Bird, has used animation as a format to tell stories of real emotional intimacy from The Iron Giant, a really underseen neglected film, to The Incredibles, which you may have heard of, to his newest film as a director, Redat Tui. |
0:32.3 | Brett, thanks so much for being here. |
0:33.9 | It's a pleasure. |
0:34.8 | What's the movie about? |
0:36.3 | The movie is about a rat who has a very |
0:40.0 | special gift that puts him at odds with all his fellow rats, and that's that he has a very |
0:46.6 | advanced taste and smell, senses, and wants to use them for fine cooking. And through a bunch of very strange events, |
0:58.4 | he actually winds up in a position to kind of do that |
1:02.3 | by working in tandem with this sort of hapless garbage boy |
1:07.3 | who has no skills whatsoever. |
1:10.0 | It's kind of a Serenot kind of thing. |
1:13.6 | It's probably the most intimate animated film storytelling I've ever seen. |
1:18.2 | Really? |
1:19.3 | It really is such a small scale story, given that it basically takes place almost in one location, really. |
1:25.8 | Yeah, it primarily, it has a way disproportionate amount of it takes place in the kitchen. |
1:34.4 | And that sounds horrifying, doesn't it? |
1:37.4 | But if you can get enough stuff happening and it means enough to the audience and they've |
1:43.2 | been through a journey before they get to the kitchen, then everything that comes down in the kitchen has some consequences and you're interested. |
1:53.0 | And I've never heard anybody say, too much time in the kitchen man so far. |
1:57.7 | You know, everybody doesn't even realize because, well, to a rat, too, a kitchen |
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