4.6 • 2.7K Ratings
🗓️ 9 April 2019
⏱️ 44 minutes
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0:00.0 | Sabotage hired Goons and a landfill in Utah. |
0:05.0 | How Steve Jobs' revolutionary catastrophe of a computer, the Apple Lisa, earned a brief |
0:10.7 | second life and then was buried for good. |
0:14.8 | Watch the Verges documentary Lisa's final act now on YouTube. |
0:21.8 | Nate, have I told you about my superhero theory of pop music? |
0:26.0 | No, I definitely would have remembered. |
0:28.2 | What's that? |
0:30.2 | Okay, so it's basically this idea that super pop stars are like superheroes and they have a similar story arc of superheroes. |
0:38.2 | First you get like the origin story, the confront some major thing, eventually they team up with other people and featured some kind of big team of other superheroes. |
0:49.2 | And then eventually like things turn around and you get the anti-hero story, you get like the dark side of them. |
0:54.2 | You know you could look at someone like Argonne Grande where it's like you get Disney Princess who then like teams up with producer Zed and eventually puts out this dark record. |
1:02.2 | And thank you next, right? |
1:03.2 | Like the whole arc of the superhero. |
1:05.2 | Interesting. |
1:06.2 | Okay, so in this analogy being bit by a radioactive spider is like kind of equivalent to getting signed to a major label. |
1:13.2 | Your extension of this analogy is perfect because the other thing that happens in superhero narratives is that every couple of years they get rebooted. |
1:21.2 | How many spider-mans have we had? |
1:23.2 | Like 17? |
1:24.2 | Okay, I'm with you. |
1:26.2 | Superheroes have to have a narrative that sort of speaks to their time and their generation and eventually they age out and there's a new audience that needs a superhero that speaks to the issues of the moment. |
1:38.2 | And in pop music I think we're going through a transition and there's no better superhero, super pop star to look at than Billy Eilish. |
1:48.2 | She just perfectly captures this moment. |
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