4.8 • 4.1K Ratings
🗓️ 17 September 2018
⏱️ 34 minutes
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0:00.0 | You're listening to 20,000 Hertz. |
0:03.6 | I'm Dallas Taylor. |
0:06.3 | This is our 50th episode. |
0:09.3 | Seriously, I never could have imagined getting this far. |
0:13.0 | We've now produced over a thousand minutes of ultra-highly polished, sugary, sugary audio candy. |
0:19.7 | The amount of work behind those thousand minutes, though, is |
0:22.4 | crazy. It's been a huge adventure, and we couldn't have done it without all of you. So, because |
0:28.4 | of this occasion, we're going to do something that we don't usually do. We're going to talk |
0:32.3 | about ourselves. This is the story of 20,000 Hertz. |
0:44.9 | My name is Jai Berger, and I'm a sound designer. |
0:46.3 | My name is Colin Devarni. |
0:47.4 | I'm a sound designer. |
0:48.8 | My name is Nick Bradlin. |
0:50.0 | I'm a sound designer. |
0:53.5 | I'm Sam Sneebly, and I am the producer at DeFacto Sound. |
0:59.4 | If you listen to the credits of our show, which you should, you probably recognize these names. |
1:05.4 | Together, we make up DeFacto Sound, which is the sound design studio where 20,000 Hertz was born. |
1:13.7 | I started DeFacto Sound in 2009 after working as a sound designer and mixer in L.A. for NBC and Fox and G4, and then later on the East Coast for the Discovery Channel. DeFacto essentially just started as me, but has grown |
1:19.5 | into this incredible sound team that we have now. |
1:22.8 | The fact of sound does sound design and mixing for post-production. |
1:28.0 | Basically, we try to help tell someone's narrative through sound. |
1:32.3 | We work for video game companies. |
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