‘Baby Reindeer’ Exploded Richard Gadd's Life. It Also Set Him Free.
The Interview
The New York Times
3.9 • 1.6K Ratings
🗓️ 21 March 2026
⏱️ 45 minutes
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| 0:00.0 | From the New York Times, this is the interview. |
| 0:08.0 | I'm David Markezi. |
| 0:11.7 | In 2024, the relatively unknown writer and actor Richard Gadd had the strange experience |
| 0:18.2 | of seeing the lowest moments of his life become viral entertainment. |
| 0:22.7 | His unsettling Netflix show, Baby Rindeer, which was based on his experiences as a victim of both sexual assault and stalking, |
| 0:30.2 | unexpectedly became one of that year's biggest critical hits and one of the streamers' most popular shows ever. |
| 0:35.1 | It catapulted Gad, who's 36, into a heightened and uncomfortable |
| 0:39.3 | level of personal and professional attention. His response to that discomfort has been to go deeper. |
| 0:45.6 | His new show, Half Man, which will air on HBO, is about the decades-long mutually destructive |
| 0:51.2 | friendship between two Scottish men, the slight and thoughtful Nile, played by Jamie Bell, |
| 0:56.3 | and the brutish and violent Rubin, played by Gad. |
| 1:00.0 | Unlike baby reindeer, the show is not based, in fact. |
| 1:03.8 | But what Halfman shares with its predecessor |
| 1:05.8 | is a brutally unflinching exploration of sexual confusion, |
| 1:09.9 | tortured masculinity, emotional abuse, |
| 1:12.1 | and the impact of trauma, all of which Gadd himself is still trying to understand, both in his |
| 1:17.8 | art and in his life. Here's my conversation with Richard Gadd. |
| 1:30.3 | Richard, thank you for taking the time to speak with me today. |
| 1:32.9 | Thanks very much for having me. I'm excited to be here. |
| 1:35.8 | I want to start with a question that maybe doesn't have any simple or straightforward answer. |
| 1:40.9 | You know, you were someone who, for years, working as a performer, you know, you did |
| 1:48.2 | stand-up comedy, but the work itself was often intentionally alienating. You know, you did a lot |
... |
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