We were looping into Tarantino there.

Do you think that he is using blackness in a way that makes you uncomfortable?

So you're like, you know, I can't, this is enough for me. I can't get into this.

I for sure. For fetishizing blackness?

Yes, I think he thinks that he knows black people better than he was.

I remember during Jackie Brown, was during the commentary or something?

They were playing natural high.

When we were moving on, on the beer's walking.

And... and he explained

just like he explained it he was like this you can go just like trust me black people

love this he said this he's like this is a song that like black people should love

like for Roman. I was like all right now you get a little too comfortable like let's calm

damn you seen you seen coffee baby three times. But is he wrong? That don't mean

love it. It's a ratio. Okay though. That might be the best question I've ever been asked. You's a phenomenal person,

and I'm legendary. I am a fan of you my brother.

B. A. Parker was once a film professor at Morgan State University, but now she is a noted podcaster.

She's part of the team at Code Switch, a podcast I Love.

She worked at This American Life. She worked on a show I love called

Nancy. She is an extraordinary person in the podcasting space. I love talking to her about film. Let's get into it. It's B. A. Parker on Toray Show. A lot of folks know what code switch is. I want you to tell us what code switch is. And if can can you talk about how code switch in your

era is different than the code switch we have been listening to before you.

I mean code switch which we have been listening to before you.

I mean, Code Switch is a show with National Public Radio that is about race and identity.

...