Aimee Mann's Five Essential Albums, Opinions on Robert Plant & Alison Krauss

Sound Opinions

Society & Culture, Music, Arts

4.4 • 2K Ratings

🗓️ 26 November 2021

⏱️ 52 minutes

🔗️ Recording | iTunes | RSS

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Summary

Hosts Jim DeRogatis and Greg Kot are big fans of Aimee Mann's songwriting so they've asked her to choose five albums that shaped her artistic outlook. She shares those albums and what they meant to her at different points in her life on this episode.

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Featured Songs:

Aimee Mann, "Save Me," Magnolia (Music From the Motion Picture), Warner Music, 1999

Robert Plant & Alison Krauss, "Quattro (World Drifts In)," Raise the Roof, Warner Music, 2021

Robert Plant & Alison Krauss, "Searching For My Love," Raise the Roof, Warner Music, 2021

Robert Plant & Alison Krauss, "High And Lonesome," Raise the Roof, Warner Music, 2021

Robert Plant & Alison Krauss, "You Led Me To The Wrong," Raise the Roof, Warner Music, 2021

Neil Young, "Heart of Gold," Harvest, Reprise, 1972

Neil Young, "A Man Needs A Maid," Harvest, Reprise, 1972

Neil Young, "Are You Ready For The Country," Harvest, Reprise, 1972

Neil Young, "The Needle and the Damage Done," Harvest, Reprise, 1972

Aimee Mann, "Burn It Out," Queens of the Summer Hotel, SuperEgo, 2021

Neil Young, "Old Man," Harvest, Reprise, 1972

Neil Young, "Alabama," Harvest, Reprise, 1972

Steely Dan, "Do It Again," Can't Buy A Thrill, ABC, 1972

Steely Dan, "Only a Fool Would Say That," Can't Buy A Thrill, ABC, 1972

Steely Dan, "Reelin' In the Years," Can't Buy A Thrill, ABC, 1972

Steely Dan, "Dirty Work," Can't Buy A Thrill, ABC, 1972

Steely Dan, "The Boston Rag," Countdown to Ecstasy, ABC, 1973

Elvis Costello And The Attractions, "Beyond Belief," Imperial Bedroom, Columbia, 1982

Elvis Costello And The Attractions, "Almost Blue," Imperial Bedroom, Columbia, 1982

Elvis Costello And The Attractions, "...And In Every Home," Imperial Bedroom, Columbia, 1982

Elvis Costello And The Brodsky Quartet, "I Thought I'd Write to Juliet," The Juliet Letters, Warner Bros, 1993

The Young Snakes, "Not Enough," Bark Along With The Young Snakes, Ambiguous, 1982

Aimee Mann, "At The Frick Museum," Queens of the Summer Hotel, SuperEgo, 2021

The Loud Family, "Sword Swallower," Plants and Birds and Rocks and Things, Alias, 1993

The Loud Family, "Inverness," Plants and Birds and Rocks and Things, Alias, 1993

Aimee Mann, "Fifty Years After the Fair," Whatever, Imago, 1993

Game Theory, "Regenisraen," The Big Shot Chronicles, Enigma, 1986

The Loud Family, "Slit My Wrists," Plants and Birds and Rocks and Things, Alias, 1993

Elliott Smith, "Waltz, No. 2 (XO)," XO, Dreamworks, 1998

Elliott Smith, "Sweet Adeline," XO, Dreamworks, 1998

Aimee Mann, "Suicide Is Murder," Queens of the Summer Hotel, SuperEgo, 2021

Karen Dalton, "Something On Your Mind," In My Own Time, Paramount, 1971

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Transcript

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0:00.0	Hey Sound opinions listeners if you support us on Patreon you get to listen to our podcast ad-free on
0:07.0	Patreon.
0:09.0	Hello Chicago! Oh! Oh, You're listening to sound opinions and this week we're talking with Amy Mann about
0:39.8	five albums that shaped her as an artist.
0:42.8	I'm Jim De Regottis.
0:44.2	And I'm Greg Cot.
0:45.2	But first, we've got some new music to review.
0:48.2	Love the Run, but not the race all alone in a silent way
0:59.8	work drifts in and the world's a little bit of Kolexico's Quatra.
1:07.0	World Drifts in.
1:11.0	The first track from the new Robert Plant and Allison Kraus collaboration
1:15.5	Raise the roof. Plant and Allison, this is The Golden God meets the bluegrass queen part two yes you know very unlikely
1:25.9	pairing you know I can't think of another hard rock vocalist who is paired with a
1:30.0	bluegrass artist no No. No.
1:33.0	To this extent before, they had an incredible go with the first round, more than a decade ago, multiple
1:39.8	grammies for that debut album that came out in 2007, Raising Sand.
1:46.0	One sixth Grammys, including Album of the Year.
1:49.4	They briefly attempted to follow that up.
1:51.9	They went on a tour after that. They wanted to do a
1:54.2	follow-up record. They got in the studio with producer Daniel Lenoir. Neither one of
1:58.8	them was feeling it at that point and they sort of you know said we're gonna put
2:02.0	this aside. maybe one day
	...

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