Hi, this is Against Everyone with Connor Habib, a weekly podcast featuring my conversations with countercultural figures and presenting complex, philosophical, spiritual, and political ideas in an engaging and accessible way.

Well, friends, I have to say the question I probably get asked more than any other question is not about the occult or about leftist

politics or about having this or that guest on the show. I do get those questions quite a bit,

but there's one question I just get asked so much, which is a very loving, but also maybe a sort of one-note question, which is, Connor,

why don't you have an Onlyfans? Why don't you have an Only fans? It's not a bad question,

I suppose, and I don't take any offense to it at all. I love that people would like to see

me in that or those positions.

And I think especially now that so many people are stuck in their homes and in needs of

options to express their sexuality, to experience sexual pleasure, pornography is all that a lot of people have right now.

Its value is unquestionable now.

I mean, of course, you know, sex work or exclusionary radical feminists and anti-porn activists

and religious fundamentalists, blah, blah, blah, they'll continue to contest pornography's

value, and people will continue to contest pornography's value,

and people will continue to feel ashamed and scared of pornography. But it's so present right now.

It's so clearly fulfilling a need, not just a consumer demand, but a human need. And it's one

that it was fulfilling all along, but like all things in this moment of

global crisis, that truth that was hidden in plain sight is laid a bit more bare now.

So why don't I have an OnlyFans? When people ask me why I wasn't making movies anymore, this is before only fans existed,

I used to say because I like donuts. And, you know, that was the joke because that model of porn

that I was doing required me have a certain type of body. That's not so present anymore. But,

you know, back when I was making movies, really, since I made porn scenes for public consumption

that I got paid for, it was, you know, for studios like Raging Stallion and Hot House and Falcon and Joe Gage.

...