Tetragrammaton

Tetracketam.

You have to come from a place of non-judgment.

You have to separate your belief system.

You have to find validity to another person's choices and actions.

And that's kind of what I refer to as gaining empathy and understanding through this work

in a lifetime of doing it, is that, you know, someone may do something quite despicable, and yet they're not a despicable person,

and it's a long, complex life, and it's not all-encompassing.

Yeah, all humans are flawed.

That's right.

That's right.

When you leave the set, do you take the character with you,

or can you leave the work at the set?

I don't know if I can leave it.

I'm always me at the end of the day,

but I definitely will have moments that I'm altered and influenced from the day or what's to come for my character.

And I don't see how I could not do that and I don't see it as too problematic.

I haven't, you know, anyone who's ever been in my life meaningfully knows me well enough

and knows when I need a little space to do my work and respects the process.

And sometimes I need space and sometimes I need to be immersed in that and lost in that

to preserve it and to protect it.

And then other times I don't need that and I can access it quite available.

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