Abigail Thorn of Philosophy Tube on Parasocial Relationships
Current Affairs
Current Affairs
4.6 • 673 Ratings
🗓️ 6 February 2026
⏱️ 30 minutes
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| 0:00.0 | Welcome to Current Affairs. |
| 0:09.0 | My name is Nathan Robinson. |
| 0:11.0 | I'm the editor-in-chief of Current Affairs Magazine. |
| 0:14.0 | It is our great pleasure and honor today to be joined from the United Kingdom by Abigail Thorne. |
| 0:22.4 | She is an actress, writer, and the creator of the widely acclaimed and viewed YouTube channel Philosophy Tube. |
| 0:34.8 | Abigail is currently starring in and rehearsing for as we speak, a play in London |
| 0:43.6 | called Blink. |
| 0:45.6 | Abigail, welcome to Curit Affairs. Thank you so much for coming to join us. |
| 0:49.7 | Thank you so much for having me, Nathan. It's a pleasure to be here. |
| 0:52.8 | Okay, I want to hear about this play because the premise sounds fascinating. |
| 0:59.0 | And the other cool thing about this play, I mean, unfortunately not being in Britain, |
| 1:04.0 | I have not had the opportunity to see it yet, but the other cool thing about it is that this play written a while ago, but about on themes that have become newly relevant in 2026. |
| 1:17.6 | So introduce us to this piece of work. |
| 1:20.6 | Blink is a play by Phil Porter. And as you say, it was written in, I think, 2012. So pre-Twitch, pre-only fans, pre-most of what YouTube is, pre-COVID, of course. |
| 1:34.1 | And it kind of manages to be about all of them. |
| 1:36.8 | It's about this very lonely woman called Sophie, who I play, who basically starts live streaming herself to an audience of one guy in the flat |
| 1:47.4 | below her on a video screen. And he doesn't know that she's living above him. So he just kind |
| 1:53.4 | of gets obsessed with her and watches her all day and forms a parasycial relationship with her. But |
| 1:57.2 | before the term parasocial relationship, even entered the the kind of discourse and so they end up in this very |
| 2:04.0 | strange relationship where he's kind of stalking her and she's kind of into it so there's all these very |
| 2:11.7 | interesting and i think it says like so much about putting the female body on screens and about like |
| 2:17.1 | only fans and the commodification |
... |
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