Aaron Moorhead & Justin Benson
Post Mortem with Mick Garris
Dread Central
4.9 • 1K Ratings
🗓️ 10 November 2021
⏱️ 62 minutes
🧾️ Download transcript
Summary
Filmmaking dynamic duo Aaron Moorhead and Justin Benson are the next guests on the Post Mortem slab! Having cut their proverbial teeth in the independent feature realm with RESOLUTION (2012), SPRING (2014), and SYNCHRONIC (2019), they now find themselves in high budget television with their upcoming Marvel superhero series MOON KNIGHT (2022). They discuss their humble beginnings, daring journey through cinema and more.
POST MORTEM WITH MICK GARRIS
NICE GUY PRODUCTIONS 2021
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Transcript
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| 0:00.0 | Don't touch that dial. |
| 0:04.0 | You're tuned in to the Dread Podcast Network. |
| 0:13.0 | You are now listening to Postmortem with Mick Garrus, |
| 0:17.0 | where the most influential voices in horror cinema |
| 0:20.0 | will spill their guts to the renowned horror director, writer, and producer. |
| 0:25.0 | Now here's your host, Mick Garrus. |
| 0:30.0 | From Nice Guy Productions World Headquarters |
| 0:32.0 | overlooking the glamorous San Fernando Valley, |
| 0:35.0 | I'm Mick Garrus, and this is Postmortem. |
| 0:38.0 | Let's talk about the relationship between horror fiction and horror movies. |
| 0:42.0 | In the beginning, even back to the silent era, |
| 0:45.0 | the most popular and renowned horror films were based on popular novels. |
| 0:49.0 | Witness Dr. Jekyll and Mr. Hyde, the phantom of the opera, |
| 0:52.0 | and the hunchback of Notre Dame, to name a few. |
| 0:55.0 | In the 1930s, fright films actually became a genre under their own for the first time. |
| 1:00.0 | With movies based on Mary Shelley's Frankenstein, |
| 1:03.0 | Graham Stoker's Dracula, |
| 1:05.0 | H.G. Wells, The Invisible Man, and Countless Others. |
| 1:08.0 | Though not all of the horror classics from the dawn of the genre |
| 1:11.0 | were based on books, the vast majority of memorable ones were. |
| 1:16.0 | But as time progressed, the genre became much more cinematic |
| 1:20.0 | and stories were fashioned that could only be films |
... |
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