A Portrait of the Humorist as a Young Woman: Merrill Markoe on Drawing (Literally) from her Early Diaries
The Unspeakeasy With Meghan Daum
Meghan Daum
4.7 • 855 Ratings
🗓️ 25 October 2020
⏱️ 76 minutes
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| 0:00.0 | Comedy has always been about punching up. |
| 0:05.0 | It's a power struggle game comedy. |
| 0:09.0 | It's about taking your world back and reorganizing it so that you are not a powerless person in it. |
| 0:17.0 | That's what is so fun about it, is it's a real reorganization of stuff that bothers you. |
| 0:24.9 | You've defined the narrative, and once you define the narrative, you're not the victim of it anymore. |
| 0:30.0 | You've changed how anyone sees it. |
| 0:32.2 | So that's how great is that. |
| 0:37.1 | Welcome to the unspeakable podcast. I'm your host, Megan Downe. My guest, Merrill Marco, |
| 0:42.8 | is an Emmy Award-winning television writer and celebrated humorist. She's worked on shows ranging |
| 0:48.0 | from Sex and the City to Moonlighting, but is probably best known for her association with |
| 0:52.9 | the David Letterman Show, where she was the head writer from the show's inception in 1981 until the late 1980s. |
| 0:59.9 | She's also the author of nine books, most recently a graphic memoir called We Saw Scenery, the Early Diaries of Merrill Marco. |
| 1:08.6 | In this book, she draws from an enormous cache of diaries she kept from |
| 1:12.1 | approximately the fourth grade through her first year of college. By turns hilarious and |
| 1:17.2 | heartbreaking, the book has her older self looking back bemusedly and often cringingly at her |
| 1:23.1 | younger self and wondering about the nature of memory and why our brains store some experiences |
| 1:28.5 | in accessible places and hide others away where they're easily forgotten. |
| 1:33.3 | In this conversation, Merrill talks about the book, about growing up female and funny, |
| 1:38.5 | about harnessing that funniness into a career, and about working with and being the longtime |
| 1:43.6 | girlfriend of David Letterman. |
| 1:45.9 | She also talks about what it's like to pursue comedy in this era of heightened sensitivities |
| 1:50.7 | and the myth that you're not allowed to be funny anymore. |
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