You were listening to The Next Best Picture podcast, and these are Giovanni Logo's interviews with the costume designers for Napoleon, Janty Yates, and David Crossman, followed by Brendan Hodges' interview with the cinematographer, Darius Wolski.

And then concluding with Giovanni's interview with the production designer, Opera Max, and set decorator Ellie Greff.

No doubt you've seen the chaos in the streets.

We must make an example. Our front will follow.

What would you do if this assignment of defense was transferred to you?

I promise you brilliant successes.

Hi, I'm Gifani Lago, the next Best Picture podcast.

I'm joined by the costuming team of Napoleon,

Janty Yates, and David Crosman.

Thank you so much for joining.

Hi, Jim.

Sir Ridley, Scott, is just, you know, one of the most efficient and various filmmakers working today.

You know, you go from something like The Last Duel to House of Gucci to now Napoleon.

Janty, I know you worked on those previous films. I was curious about what was appealing about Napoleon. Janty, I know you worked on those previous films.

I was curious about what was appealing about Napoleon itself

and what brought you on to the project.

And for David, what also interested you in the project?

Well, basically, it seems that Ridley's on a role at the moment.

And we just started the last duel, got stopped by COVID,

and then completed it, went on to the house of Gucci.

And it was just the next thing that Ridley was talking about.

So it was just the next thing.

...