#84 Project manager Maxx Heerlein joins
Modern Craftsman
Modern Craftsman
4.8 • 1.2K Ratings
🗓️ 12 September 2019
⏱️ 132 minutes
🧾️ Download transcript
Summary
Maxx Heerlein is a project manager for high-end builder Kirby Perkins in Newport, RI. Maxx talks about what it's like to be a project manager, how he got into the industry, and his little side hustle.
Where to find our Guest:
Maxx Heerlein @mbhdesignbuild on Instagram
Where to find our hosts:
Nick Schiffer @nsbuilders on Instagram and YouTube
Tyler Grace @TRGHomeconcepts on Instagram
John Hourihan @heresjohnnyh & @vintagebuilders on Instagram
Follow The Modern Craftsman on Instagram @the.moderncraftsman
Music:
"Dessert" by Nate Gusakov
nategusakov.com
Transcript
Click on a timestamp to play from that location
| 0:00.0 | What's up guys? It's modern-crossing Monday. We have Max Hairline from Kirby Perkins. |
| 0:13.6 | He is a project manager. |
| 0:15.7 | If you guys don't know Kirby Perkins, |
| 0:17.2 | they are a high-end luxury home builder down in Newport. |
| 0:21.8 | 0.000.05%. |
| 0:24.7 | They built some pretty rad homes. |
| 0:27.2 | But Max took a ride up to the studio and we chat with him on what it's like to be a project |
| 0:31.7 | manager, his background, and his little side hustle. |
| 0:35.6 | Yeah, it's a good one, you guys will love it. Take a listen. |
| 0:39.3 | Kirby Perkins, project manager, how long you been there? |
| 0:47.0 | Just about three years. |
| 0:49.0 | And project manager the whole time, were you hired as a project manager? |
| 0:53.0 | No, I got hired on to be a assistant project manager. |
| 0:58.0 | And what does that mean in that company? |
| 1:00.0 | I think I might have been the only one at the time. |
| 1:04.0 | Your roles and responsibility? |
| 1:06.0 | I think when I came on they said we were going to build this big house down in Connecticut. |
| 1:12.0 | What's big to you? |
| 1:14.2 | I don't know. |
| 1:15.2 | 10 plus, 10,000. |
| 1:16.5 | Must be nice. |
| 1:20.1 | Big to me a house to live in is like 2,000. |
... |
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