4.4 • 2K Ratings
🗓️ 5 February 2021
⏱️ 52 minutes
🧾️ Download transcript
John Carpenter directed and composed the music for some of the most iconic horror films of all time, from Halloween to They Live. Hosts Jim DeRogatis and Greg Kot talk with him about his career and new album Lost Themes III. The hosts also share a few of their favorite film scores and review some new music.
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Featured Songs:
John Carpenter, "Halloween Theme - Main Title," Halloween (Original 1978 Motion Picture Soundtrack), Columbia, 1979
Goat Girl, "The Crack," On All Fours, Rough Trade, 2021
Goat Girl, "P.T.S.Tea," On All Fours, Rough Trade, 2021
Goat Girl, "Badibaba," On All Fours, Rough Trade, 2021
Madlib, "The Call," Sound Ancestors, Madlib Invazion, 2021
Madlib, "Road of the Lonely Ones," Sound Ancestors, Madlib Invazion, 2021
Madlib, "Two for 2 - For Dilla," Sound Ancestors, Madlib Invazion, 2021
Goat Girl, "Sad Cowboy," On All Fours, Rough Trade, 2021
John Carpenter, "The Shape Stalks," Halloween (Original 1978 Motion Picture Soundtrack), Columbia, 1979
Bebe Barron and Louis Barron, "Forbidden Planet Soundtrack - a) Main Titles - Overture - b) Giant Footprints In The Sand," Forbidden Planet, Planet, 1976
Bernard Herrmann, Joel McNeely & Royal Scottish Orchestra, "Scotty Trails Madeline (Including: Madeline's First Appearance, Madeline's Car, The Flower Shop, The Alleyway, The Mission, Graveyard, and Tombstone)," Vertigo: Original Motion Picture Score, Varèse Sarabande, 1995
John Carpenter, "Dark Star," Anthology: Movie Themes 1974-1998, Rodeo Suplex, 2017
John Carpenter, "Skeleton," Lost Themes III: Life After Death, Sacred Bones, 2021
Dimitri Tiomkin, "High Noon - Theme," Movie Memories: Music from the Greatest Films, Colosseum, 1995
John Carpenter, "Dead Eyes," Lost Themes III: Life After Death, Sacred Bones, 2021
Carl Stalling, "Powerhouse and Other Cuts from the Early 50's," The Carl Stalling Project - Music From Warner Bros. Cartoons 1936-1958, Rhino, 1990
Bobby Womack & Peace, "Across 110th Street," Across 110th Street Soundtrack, United Artists, 1972
Goblin, "Zombi," Zombi (Dawn Of The Dead) Original Sound, Cinevox, 1978
Ennio Morricone, "Armonica," Once Upon a Time in the West, RCA, 1972
The Wheel Workers, "S.O.S.," S.O.S. (Single), Steven Higginbotham, 2020
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0:00.0 | You're listening to sound opinions and later in the show we will talk with the legendary director and composer Greg |
0:07.2 | John Carpenter about films like Halloween and his new album but first we have new albums from Goat Girl and Mad Lib to review. a long time ago. |
0:23.0 | The people made their way to space. |
0:34.0 | The people make their way away. |
0:38.0 | The people make their way to space. That is a little bit of a song. |
0:51.0 | That is a little bit of a song called The Crack from the second album by South London's Goat Girl on all fours. Greg I first discovered this four-piece band of brilliant women as a Berry Treasure and I highlighted |
1:08.2 | them a song from this upcoming album a couple of months ago. Then I dug deeper into their first album. |
1:16.0 | They are recording for one of the most respected independent labels in history, still one of my favorites, |
1:22.2 | rough trade. Jeff Travis, he always has his ear to the ground |
1:27.2 | for up and coming groups that are doing things very differently. |
1:32.3 | This second album is a departure from the first. This band is covering |
1:36.1 | a lot of ground in a short career that started in 2016. As I said, four women came together with strong political beliefs and adventurous musical |
1:48.4 | spirit. |
1:49.6 | The new record is produced by Dan Carey of Kate Tempest and Bat for Lashes fame. |
1:55.6 | Let's get into playing a track and we'll come back and give our reviews. |
2:00.6 | This is a song called PTS T as in you know the favorite British drink by |
2:07.5 | goat girl on sound opinions. |
2:10.3 | PTS D from a whole cup of tea. |
2:15.0 | Chark, chark, chark, a long on the ferry. |
2:21.0 | Don't my word. on the ferry |
3:04.0 | Don't mind wouldn't even look back at me Yeah. Some call me Rosie, and Roo to say what I am well I don't have a clue. Ask me again and I'll really show you. |
3:12.0 | Don't look, no, don't buy me later. don't look that no. |
... |
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