74. The Story of Us 2026, Part 1
Intersectionality Matters!
Intersectionality Matters with Kimberlé Crenshaw
4.7 • 814 Ratings
🗓️ 12 February 2026
⏱️ 50 minutes
🧾️ Download transcript
Summary
Transcript
Click on a timestamp to play from that location
| 0:00.0 | Liberation Calendar is a new daily practice for Black History Month. |
| 0:07.0 | Beginning February 1st, the Liberation Calendar will guide users through a daily, intentional practice to build our personal and collective resilience. |
| 0:16.0 | Sign up to receive daily emails with suggested rituals, opportunities for reflection, |
| 0:22.5 | and calls to action designed to carve out a space for liberation in your day. |
| 0:27.5 | Join us in following the 26th Liberation Calendar, |
| 0:31.2 | a Black History Month partnership with Black Heritage Academy and the African American Policy Forum. |
| 0:37.4 | Sign up for free at AAPF's website, |
| 0:40.1 | aAPF.org. That's aAPF.org. Happy Black History Month. I'm Kimberly Crenshaw, and this is |
| 0:51.3 | Intersectionality Matters. The podcast that brings intersectionality to life by exploring the hidden dimensions of today's |
| 1:00.0 | most pressing issues, from say her name to the war on woke, DEI and CRT, and the global |
| 1:06.9 | rise of fascism. This idea travelogue lifts up the work of leading activists, artists, and scholars, and helps |
| 1:14.1 | listeners understand politics, the law, social movements, and even their own lives in deeper, |
| 1:20.5 | more nuanced ways. |
| 1:26.9 | Oh! Order, order. |
| 1:33.7 | The committee will come to order, please, take your seat. |
| 1:37.5 | For years on this show, you and I have explored the arts and why they matter. |
| 1:42.3 | And we've talked about why the story of us of who who we think we are as a nation, is so consequential. Throughout this conversation, we've submerged ourselves in something that I call artivism. Artivism is the use of art as a tool for collective resistance. It emerges out of a legacy of black women, Bessie Smith, |
| 2:02.6 | Nina Simone, and Tony Morrison, among others. They used their art to give voice and rhythm to our |
| 2:09.6 | social movements. Their work transformed hostile realities for black audiences. They did this by |
| 2:17.1 | centering black experiences and telling authentic |
| 2:20.1 | stories about the joys and the tribulations of black life. There art challenged the public to |
| 2:25.9 | imagine a world where the black experience is an integral part of America's national story. |
... |
Please login to see the full transcript.
Disclaimer: The podcast and artwork embedded on this page are from Intersectionality Matters with Kimberlé Crenshaw, and are the property of its owner and not affiliated with or endorsed by Tapesearch.
Generated transcripts are the property of Intersectionality Matters with Kimberlé Crenshaw and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.
Copyright © Tapesearch 2026.
