I'm pulling away from the parking lot. We all know what that means. It's time for other drive to work.

And I drop my daughter off at camp. Okay, so today is another in my lessons learned series.

So this is where I talk about a set that I led or co-led the design for, and I talk about all the lessons I learned from making it.

So we are talking today about War of the Spark.

So that was quite the learning lesson. So I recently did a podcast all about the Bola's arc,

and so I talked a little bit about this, but we'll go a little more in depth on War of the Spark.

So, okay, we started because Doug Beyer had made the outline for the story, and the ending of the story was

a grandiose giant Plainswalk or War, where the Gatewatch and many allies were taking on Nicole Bullis.

And when Doug first pitched this idea,

we first pitched it,

I remember saying to him as a writer,

wow, that's exciting.

That's an exciting ending to the story.

That is a capper. You know, because

it was a three-year story in the making and we wanted a big, glorious ending. And I said, that

really sounds cool. But as a designer, as the guy who has to design this, I don't know how to do it.

I mean, normally in a set, we have, you know, a normal non-core set, we'll have three mythic rare

planeswalkers. And I'm like, I'm not sure how exactly you get planeswalker war when I only

get three planeswalkers. But I said, okay, we'll figure it. We'll figure it out. So when we first

started making it, the thing I really latched on to was we talked about how it was an event set, meaning normally we focus on where we are.

But this set, okay, the previous block, or the previous two sets, we're basically going to be us doing normal Guild Ravnika.

We've done Ravnika as you experienced Ravnika.

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