There we are there.

There we go.

There we am.

Howdy joke, folks?

Howdy jokers?

Howdy-tokers?dy tokers howdy tokers howdy midnight smokers getting your

loving on the run sure don't want to hurt no one one of the worst songwriters in

American history the opposite of Bob Dylan, Steve fucking Miller.

So today I wanted to start by talking about special effects and movies because someone

tweeted today that they were, that they had watched me recommend the blob remake, the 80s

blob remake with, I believe Kevin Dillon, Jeffrey DeMun, written by Frank Deriband, and they

said that it was great, and they were glad they did. And I got to have a little bit of a

chat online about the wondrousness of the 80s, sci-fi remakes, all of which are great, but which I

think a blob is honestly the, by far the most underrated one. And I think in argument really for the

best. It's that one or the thing, in my opinion, and it's

close. It might be a twin flip, in my opinion. And of course, one of the things that make both

those movies great is practical special effects. And all the things special effects are pretty well

known. They're sort of the gold standard. People always talk about the thing. But I really feel like the blob might even have more impressive special effects,

and it doesn't get talked about nearly as much. The blob in that movie is this,

it doesn't eat people the way that the jello mold, Steve McQueen blob ate people. It

dissolved people, and you could see through it. You could see people being eaten and by the acidic

blob. And they showed it. They showed people having their faces melted off on scramma. They saw

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