दाढ्थं बाछा

इान परे शिल म्या, ध्रective मेंपिंरे तरख़तो &रर्प्रेंप्रेंज़ावे श्बाा Dokkhat teaspoon

याताय अवेट आपाय कुपाся, याय मैं पायट पायटूभारगागाृ

Baby, we've done it, yeah man, that's all the emmanuels we're going to watch, we just watched the first one again to bookend it, it feels so good, pretty dedicated from us to go back for a little bit more medicine, I guess not entirely out of keeping with previous seasons but it was a beautiful and intriguing bookend to the season and also it almost risks in my eyes,

elevating the entire experience into something beyond a huge and infuriating waste of time and there I say becomes art.

Oh no, are we jeopardising the core tenon of this podcast that it is a huge waste of everybody's time, mostly our own.

I'm afraid we might be nothing will reclaim the hours I spent not masturbating or enjoying myself while I watch these porno's that's true, but to be fair you also didn't masturbate while watching the other films grown ups to six in the city to six and seven when you're not really for you to say Tim.

I was with you for I would say three quarters of the watches that's right and even those watches you'd never off to the bathroom.

Yeah, it's said tried said true, but no, no, it's not brush pasta you would I'd masturbate in your bathroom breaks, yes, a completion.

Always it frustrates me that you wouldn't excuse yourself to the bathroom masturbate in the air.

Right?

For me to go, I'm not grotesque, well you kind of are because that means you're masturbating in what like my lunch, yeah, which which seems infinitely more ghastly.

I come on Tim, it's either that and I do it in secret and tell you later or I look like I'm taking a lot of bathroom breaks, I'm not going to embarrass myself like that.

You've got me there, yeah, that's a good point, but in doing this, it's turning to the 1974 feature film directed by just Jack and that started this entire journey, we've traveled.

Through time, genre, we've sort of watched the various different mutations, do you know what we've traveled through more than anything though.

Production values, yeah, there wasn't a visible green screen here that hadn't been keyed in.

I didn't see any light stands, there weren't people who were like visibly forgetting their lines and just sort of making something up.

This is exactly the thing I'm sort of getting at, it's like it's incredible what a movie this was.

Oh yeah.

And it's incredible to see, you know, through all the permutations, it's incredible to see if you take out all of the stuffing, all the connective tissue from the middle and you just think of Emmanuel's chocolate factory versus Emmanuel 1974.

Yeah.

What is there to tell you or anyone that these properties are linked?

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