4.8 • 824 Ratings
🗓️ 25 July 2025
⏱️ 25 minutes
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0:00.0 | Hello, everyone. I went to see the Superman movie. I've been kind of out of the superhero movie stuff for a while now because it was so horrible. And, you know, I heard that this one was different. And because I did like the James Gunn movies in Marvel, figured I'd go see the movie. And I have to say that I was pleasantly surprised. It wasn't a great movie. It's pretty |
0:21.9 | mid in general in terms of movies. But it definitely wasn't woke. I have to say, it wasn't |
0:28.4 | DIY. It wasn't, it didn't have all of the, all the annoying characteristics and the kind of |
0:34.4 | preachiness that you see in, that you've been seeing in movies now for the past |
0:38.4 | two decades. It was a Superman movie, a basic Superman movie. There was, of course, one |
0:44.9 | trope that was changed, and I'll mention that at the end of the video if you don't want to get |
0:48.6 | spoiled, but I wanted mostly at the outset to look at the symbolism of Superman and to kind of understand the symbolism |
0:55.5 | of Superman, especially in terms of, let's say, American narrative, you could call it, or you could |
1:03.3 | also call it something like, again, post-World War II consensus narrative. Of course, Superman comes |
1:09.7 | from before World War II. But there is |
1:13.8 | already that story of the relationship, let's say, between two different types of thinking of the |
1:19.3 | excess of the one and the excess of the many was already there before World War II. It's just that |
1:25.4 | because the allies are the ones who won during World War II, |
1:28.3 | that story, you know, you could say |
1:30.1 | the Superman story, |
1:31.2 | the American story became the trope |
1:34.7 | or became the pattern |
1:35.8 | for most storytelling, at least in the West. |
1:39.8 | And what is that story? |
1:40.9 | And what is that story? |
1:52.3 | Yeah. And what is that story? This is Jonathan Pejot. |
1:54.0 | Welcome to the symbolic world. |
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