4.8 • 824 Ratings
🗓️ 30 June 2025
⏱️ 36 minutes
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0:00.0 | But your movie has within the aesthetics of the movie. |
0:04.6 | So it's like the very way the story is told and the very way it's shot and some of the images, embed the Holy Fool structure in it. |
0:13.8 | So it's not like you're using a nice kind of normal way of people, the way people, a modern cinema audience looks at a movie, like here's |
0:22.3 | just a frame, a box, and I'm watching a story, but you use aesthetic means in the story |
0:27.8 | to bring about the thing. And so there's an interesting modern aspect to what you're doing, |
0:33.4 | but that's why I think the movie is so It's so particular because of that |
0:38.7 | Because the very means by which you tell the story |
0:41.5 | Are making you experience what it is the movie is about |
0:45.3 | This is Jonathan Peugeot. Welcome to the symbolic world. |
1:10.7 | Hello, everyone. I am here with Josh David Jordan. Hello, everyone. |
1:12.1 | I am here with Josh David Jordan. |
1:15.1 | Josh is a Texan filmmaker. |
1:17.8 | You can tell just by looking at him. |
1:21.0 | He just put out his, well, not put out. |
1:24.0 | Like he just finished his second feature film, |
1:25.9 | which is called El Tonto Procristo. |
1:28.9 | It is a really beautiful and poetic exploration of this imagery around the Holy Fool and kind of this edge of the |
1:36.8 | world symbolism of this monastery in Texas. It's a very beautiful movie. I had the chance to see |
1:42.6 | with Richard Rowland, Deacon Seraphim, |
1:46.0 | maybe a few months ago, and was kind of blown away. |
1:48.6 | I've been following this movie for several months, for like a year now, I think. |
1:52.7 | You know, I met Josh before, and I'd seen a kind of rough cut of the movie, but finally |
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