Well, it's a real question, isn't why? The how and the who is just scenery for the public.

Oswald, Ruby, Cuba, the mafia, keeps them guessing like some kind of parlor game prevents them from asking

the most important question why? Why was Kennedy killed? Who benefited? Who has the

power to cover it up. Hello and welcome once again to the cinnophiles where we are still in the world of Oliver Stones, JFK,

I am Steve Morris.

I'm a filmmaker and directing instructor in Los Angeles, California.

Hello, everyone.

My name is John Roca.

I'm a writer, producer, and host in San Diego, California.

And now, I don't know, just really kind of enjoying this conversation, enjoying this analysis,

and re-evaluating my opinion of this movie

and my approach to conspiracy theories

the deeper we get into this conversation and the more I

watched this film through 2023 eyes. This has been a really illuminating

experience with you, Stephen. It's been fun. I thought initially it was going to be fun to talk about it. Now it's become like a real

process for me as well as maybe some of you all who are listening to us are going

through your own processes as you revisit this film now.

Well, A, I totally agree this has been a great conversation and new things keep coming up and I keep thinking

about it and re-evaluating.

And I know we're going to talk about it, I'm sure as we go, but I'm curious, what is the, like what shifted, like, can you kind of explain what sort of shifted for you in this problem?

Yeah, as we are going to get into this section of the movie, I watched, re-watched it twice.

Yeah, because when I watch Kostner battling with Rooker in that scene, big scene when Rooker walks off and the things that he is saying and the way he's laying things out and then the way Rooker is

...