You mean you intend to uphold the letter of the law, no matter what it costs?

Without law, Commander, there is no civilization.

It's just my point. Here there is no civilization.

Then we have the opportunity to introduce it.

Hello and welcome once again to The Sinophiles.

We're each week we enter the world of a great film.

We explored themes, the history, the filmmaking and the influence it has on us today.

My name is Steve Morris. I am a filmmaker and directing instructor in Los Angeles, California.

Hello, everyone. My name is John Roca. I'm a writer, producer and host here in San Diego, California.

And today's film, you know, we've gone deep into the world of World War II.

We had a just finished doing the Great Escape. And I had to tell you, John, I had a right before we started recording.

Like five minutes before we started recording Great Escape.

I went fuck. We're doing this in the wrong order.

Richard and River Quay, you know, I'm very linear in my thinking.

Oh, I see.

And Richard, the River Quay was made six years earlier than the Great Escape.

So obviously you should do the earlier movie first.

But we were already prepped. We were about to record.

I hadn't prepped Quay. We didn't have any other movie. So I was like, well, it's no choice.

We had to do these in the wrong order.

And I am so glad that's the order we did them in.

Because so much of seeing Great Escape, there are actually a whole bunch of connections between Great Escape and Quay.

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