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Hello welcome to episode 331 of the official podcast Mario came out today. That's the biggest things happened in history probably Chris Pratt's newest role as the small Italian plumberman Mario none of us the same at so start early development but it came out today.

It did come out today. I just want to put that down in the history books. This is the podcast that came out and said well, it was recorded on the same day as the Mario movie came out. Reviews have been.

Bad bad mostly right. Super middle right. Not good. It's like middling right. It's not like defense. It's not like it's not emerging movie levels are bad but it's like directly in the middle which is not what I don't know that sounds like the worst possible result.

You know when they say like the worst thing to do is like be uninteresting and so maybe it's uninteresting. Maybe it's not so bad that it's entertaining.

The audience score from what I saw on Twitter. I didn't confirm it myself. I really care to I'll just take them at their word. The audience score is apparently at 98.

Yeah. And also it's also the Mario movie meaning it's going to make a shit load of a trillion dollars no matter what.

It could be in the worst movie of the year. It would still have been scores confirmed 98 wasn't fake news. Yeah.

Now today I'll leave all kind of gardeners though like what was was the age range on the audience reviews who's able to probably probably literally 30 plus.

I don't think it's like super into Mario. The trick that I've learned that's pretty fucking consistent is whenever you go on metacritic you take the average of the critic score and the audience score.

And that gives you the real score for the game. Maybe not as true now with how games journalists and like have become a fucking shallow mess of what they used to be.

But in that case Mario movies got like a 75.

Yeah. Why would you why would you not just like I feel like you would relate more or I guess the audience score general would be more trustworthy because it's an aggregate of playing like 94%

weight. Not tomatoes for the audience score. So this is playing. Yeah. And Jackson this is this is an old school method from the earlier internet. Like you can remember now.

So critics have failed us. And then the mass audiences will just swallow up everything. You know. Yeah. Yeah. Not only that not only will they swallow up everything when they do complain.

It is about the stupidest dumbest do worstest bullshit ever. I looked up last night at a curiosity the metacritic reviews of the new resident evil for remake.

And it's got like a 50 like a 60 like just really low scores compared to the critics of what people are saying. And it's because half the metacritic reviews are you can no longer fuck Ashley.

Leon's not as goofy. You have to like parry instead of stuff that's just yeah it's a different game. No shit. It's it's not the same game again. Of course they change things.

They don't like review the gameplay or any actual things that matter. They just talk about how it's different and say it's like zero out of 10 because of it.

Yeah, I feel like I feel as if I would relate more generally speaking to audience score. Then I would pretty school. I feel like critics scores have like all wait. There's never been a run tomatoes critics score that's come out that I've been like. Okay. Yeah. This makes sense. Like this is another example being out like there's so many.

But then we've been over endlessly. Like I can't take it. So you've put me on the side of the general audience. Now I think Mario is a masterpiece and I'll be seeing it twice tonight.

Yeah, but general audiences man. They're so hard to trust too because they just so many of them just want like stimulation not even anything like good or substance.

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