God damn you Joe

Don't make me do this now. It's the point. That's what it got in my dead

Hello and welcome once again to the cinephiles for this week

We are concluding our exploration of Quentin Tarantino's reservoir dogs. My name is Steve Morris

I am a filmmaker and directing instructor in Los Angeles, California

Hello, my name is John Rokum, a writer-producer and host here in San Diego, California and excited to be putting some blood and

gun powder back on our bodies to finish off this talk on reservoir dogs and I am excited to welcome back to the

cinephiles writer and producer David McKenna welcome back

And I think without further ado, we should just jump right in but I want to I want to kind of review

Because it all flows so beautifully what's just happened which is we found out that Mr. Oranges the cop and then we went back

To the moment right after he had officially signed on to do the job with Joe and the other guys

And then when asked if he used the commode story

We went way back in time to when he had first decided to become an undercover cop and then we had him telling a story

That's false, but even further back in time and practicing it then we went forward in time where he's actually telling the story

Then we went back to an imaginary time where he's living in the story

Then we went back forward in time to the moment just after he got the job where he'd been asked about the commode story

And now we're going to jump forward in time a little further not quite to the present where we're in the warehouse

But right before they're training to go to the job

That's a lot of craziness. That's just happened. Don't you think it sounds like a Marvel multi-verse movie

The multiple universe is flashing each other. We got six. Yeah. Well, I mean, well, I mean, where have you seen that before?

And I mean, that's the whole deal is that's

That was the greatness of this movie is we just hadn't seen that before and I'll tell you

...