296: Remembering Rob Reiner with Nat Cassidy and Drew McWeeny
The Kingcast
FANGORIA Podcast Network
4.7 • 1K Ratings
🗓️ 17 December 2025
⏱️ 79 minutes
🧾️ Download transcript
Summary
Author Nat Cassidy (The Wolf at the Door) and film commentator Drew McWeeny (The Hip Pocket Podcast) join Beznican and Vespe to discuss the tragic loss of Reiner and celebrate his massive contributions to the world of cinema, from his King adaptations Stand By Me, Misery, and The Shawshank Redemption (which he produced for Frank Darabont) to the genre defining classics This Is Spinal Tap, The Princess Bride, When Harry Met Sally, and A Few Good Men.
Transcript
Click on a timestamp to play from that location
| 0:00.0 | In the past 20 years, one of the common things connecting horror filmmakers of every kind |
| 0:04.4 | has been Black Magic Design and its cameras in DaVinci Resolve software. |
| 0:09.6 | Since its start, Black Magic Design is democratized filmmaking, putting high-quality tools |
| 0:13.8 | into the hands of every storyteller. The same cameras that powered Final Destination bloodlines |
| 0:18.9 | are also within reach of micro-budget horror filmmakers. |
| 0:22.0 | And for post-production, DaVinci Resolve is Hollywood and the rest of the world's most widely used platform for editing, VFX, audio, and color correction, fueling everything from studio features to fan fiction, YouTube horror channels and podcasts. |
| 0:36.1 | Best of all, Da Vinci Resolve is free. This includes some of the |
| 0:39.7 | best folk horror films from the past 15 years. We're talking mid-somar. We're talking weapons, |
| 0:45.2 | lamb, get out, the lighthouse, the witch, all done with DaVinci Resolve. Don't want to forget |
| 0:50.7 | Chainsaw Award 2025 winners, Substance, Long Legs, and Screamboat Willie. They use DaVinci Resolve, while the actual rewards being shot by Blackmagic cameras as well. If you want to learn more, go to blackmagicdesign.com. And Fangoria has been added for over 40 years and is better than ever. This magazine, it's not only gorgeous, it's highly collectible, and is delivered right to your door four times a year, each issue filled to the brim with articles exploring every nook and cranny of genre filmmaking, past, present, and future, with all the most exciting journalist filmmakers and horror know-it-alls to guide the way, including Little Old Me from Time to Time. This high-quality writing will only ever appear within the physical pages of the magazine. So if you want to join in on the fun, you're going to need to subscribe. |
| 1:30.9 | And in order |
| 1:31.3 | to do that, all you got to do is head on over to Fangoria.com to sign up. If you use the code |
| 1:36.1 | Kingcast at checkout, you will save a massive 25% off of your subscription. That's Fangoria.com |
| 1:41.7 | code Kingcast. Now on with the show. |
| 1:47.6 | Yeah, |
| 1:47.9 | Oh, yeah. |
| 1:52.0 | Hi. |
| 1:54.0 | My name is Stephen King. |
| 2:00.4 | The ice is going to break. |
| 2:03.7 | Bad rum. |
| 2:05.2 | Bad rum. |
| 2:09.8 | You guys want to go see a dead body. |
... |
Please login to see the full transcript.
Disclaimer: The podcast and artwork embedded on this page are from FANGORIA Podcast Network, and are the property of its owner and not affiliated with or endorsed by Tapesearch.
Generated transcripts are the property of FANGORIA Podcast Network and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.
Copyright © Tapesearch 2026.

