Synopsis



28 Years Later picks up exactly where you think it will: 28 years after the initial rage virus outbreak in the U.K. All these years later, the movie focuses on a small Scottish island off the coast of the quarantined mainland, where the only way to and from is a small causeway that disappears in high tide. This story follows Spike, a twelve year old boy who takes his rite of passage by venturing to the mainland for the first time with his father, to see the virus’s impact for himself, and hopefully kill a few zombies.



Review



Everything about this film was wholly unexpected for me. Danny Boyle takes us on a journey like no other. Having a child as the main character/focus in a horror movie is not a new plot device, but in this film you really feel for Spike, you see everything in his perspective, you feel his fear, his guilt, his confusion. Everything that Spike is going through feels immensely personal to the viewer, and this is due to incredibly effective storytelling in Alex Garland’s fantastic script and Boyle’s dynamic storytelling. 



28 Days Later was such an innovative and harrowing zombie movie, something unlike viewers in 2002 were used to seeing. Boyle shot it on low quality camcorders for the most part and relied heavily on the script, practical effects, and just damn good acting. This film isn’t much different. Although film as a medium has progressed in the last 23 years, 28 Years Later feels so new, so fresh, so unexpectedly radical. The cinematography had me speechless, breathless, on the edge of my seat throughout the entire runtime. It is a masterclass.



This film made me feel things that a typical zombie movie does not make me particularly feel. Having the foundation of a good but almost played out antagonist, zombies, and building a house upon that with an exceedingly emotional and moving script, topped with out of this world acting by Jodie Comer, Aaron Taylor Johnson, and newcomer Alfie Williams, makes this a perfect film. I’m already planning on going to see it again in theaters.



Score



10/10