4.8 • 1.5K Ratings
🗓️ 15 October 2021
⏱️ 116 minutes
🧾️ Download transcript
There are few films that have been requested more than Paul Thomas Anderson's There Will Be Blood and for good reason. It is a film that is truly unlike anything else and we are honored to have Emmy winning sound editor Jon Greber joining us for what is an absolutely remarkable conversation.
If you haven't seen this incredible film you can buy or stream it right here.
https://amzn.to/3BX0Ynh
Don’t forget to support The Cine-Files at https://www.patreon.com/TheCineFiles and purchase any film we feature at https://www.cine-files.net
Facebook: https://www.facebook.com/TheCineFilesPod/?ref=bookmarks
John @therochasays
Steve @srmorris
The Cine-Files
Twitter @cine_files
Instagram thecinefilespodcast
--- Send in a voice message: https://podcasters.spotify.com/pod/show/thecine-files/message Support this podcast: https://podcasters.spotify.com/pod/show/thecine-files/support Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacyClick on a timestamp to play from that location
0:00.0 | Hi, this is Steve. Some directors have an absolutely recognizable style. Whether it's the |
0:06.2 | framing and lens choices of Stanley Kubrick or the Cone Brothers, the rhythm and language |
0:10.9 | of a film by Quentin Tarantino, or the kind of suspense that only Alfred Hitchcock can |
0:15.9 | deliver. My guess is, if you were dropped into a movie theater with one of their films |
0:20.3 | playing, it wouldn't take you long to name the director. Now, Paul Thomas Anderson has |
0:25.4 | covered subjects as diverse as high-fashioned pornography, religious cults, and unlikely |
0:30.2 | romances, but the style of his movies remain uniquely and recognizably his own. |
0:36.6 | Anderson has a clarity of vision that is unlike any other filmmaker working today. |
0:41.3 | There's a palpable tension in sound design and music, a way the camera moves that is |
0:45.8 | extremely specific and yet beautifully alive. Performances are unusual, thrilling, |
0:51.2 | traumatic, and yet undeniably human, and all of that supporting stories, which are immune to |
0:56.8 | Hollywood tropes, cookie cutter structures, or predictable endings. Paul Thomas Anderson |
1:01.7 | movies are simply Paul Thomas Anderson movies, and perhaps no film highlights that style in |
1:07.6 | sharper relief than his 2007 masterpiece There Will Be Blood, starring Paul Dano and the incredible |
1:14.8 | Daniel Day Lewis. This is without question an amazing film, and we couldn't have asked for a |
1:20.8 | better guest than Emmy award-winning sound editor, John Grieber. A John has worked at arguably |
1:26.7 | the greatest sound facility in the world, Skywalker Sound for over 20 years, and his credits include |
1:32.8 | everything from saving Private Ryan and the Star Wars prequels when he was just starting out, |
1:37.6 | to being the supervising sound editor on Paul McCartney 321 come from away, and the Bee Gees, |
1:43.2 | how can you mend a broken heart for what you want an Emmy? There Will Be Blood is one of John's |
1:48.2 | favorite films, so if you haven't seen it, I highly recommend a trip to our website, |
1:52.2 | cinephiles.net, where you can buy or stream There Will Be Blood, along with every other movie |
... |
Please login to see the full transcript.
Disclaimer: The podcast and artwork embedded on this page are from Steve Morris & John Rocha, and are the property of its owner and not affiliated with or endorsed by Tapesearch.
Generated transcripts are the property of Steve Morris & John Rocha and are distributed freely under the Fair Use doctrine. Transcripts generated by Tapesearch are not guaranteed to be accurate.
Copyright © Tapesearch 2025.