Hello, my name is Justin the Coulin. I'm here today with Will Sloan. And you're listening to

the Important Cinema Club. And this week, I hope you're ready to rock. Oh man, we are talking about

the most dangerous band in the world, the Rolling Stones. Now, what is your relationship with the Rolling Stones, Will?

I have the same relationship to the Rolling Stones that, like, anybody in the world who doesn't

really consider themselves a fan of the Rolling Stones has, which is that, like, their music

is inescapable.

I have heard, start me up 500 million times in my life.

Have you ever tried to go and, like, listen to their albums that people say are the best?

I've tried many times over the years, but they're just like a weird barrier keeping me from going like,

yeah, this is music that I like I can get into.

Maybe I'm not dangerous enough because I went through that phase with the Beatles when I was a teenager where

you just listened to the Beatles all the time because you're like, oh yeah, this is great.

But I never, that never happened with the Rolling Stones for me. I've definitely always liked

the Beatles more than the Rolling Stones. And I have like, there have been times when I've

listened to Rolling Stones albums, like, you know, sticky fingers or exile on Main Street, stuff like that.

I don't know.

For me, and hardcore, serious Rolling Stones fans can yell at me if they want for this.

That's okay.

There gets to be a sort of sameness to their music after a while.

Like, small doses for me, I find.

But hey, listen, I'm not a music critic.

We're here to talk about cinema, and we've chosen the Rolling Stones as a subject this week because I think they're an interesting case.

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