224 - Liminal Spaces
Welcome to Night Vale
Welcome to Night Vale
4.8 • 29K Ratings
🗓️ 15 March 2023
⏱️ 28 minutes
🔗️ Recording | iTunes | RSS
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Summary
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| 0:00.0 | Did you know that in the last decade, along with writing this podcast you were listening to, |
| 0:04.6 | Jeffrey and I have released six novels, four script collections, and a memoir. |
| 0:09.5 | It's true, and they're all available wherever you buy your books. |
| 0:13.0 | First off, we have four Nightfail script collections. |
| 0:15.8 | Each one has a full year of this show with original illustrations by resident Nightfail artist Jessica Hayworth |
| 0:21.8 | and behind the scenes commentary on every single episode. |
| 0:25.5 | Then we have three Nightfail novels. |
| 0:29.5 | Welcome to Nightfail, it devours, and the faceless old woman who secretly lives in your home. |
| 0:33.8 | Each of these is a completely original full-length story that has never appeared on the podcast in any form. |
| 0:39.7 | These books expand the Nightfail world in all sorts of unexpected ways. |
| 0:44.2 | Some of the best Nightfail writing we've ever done are in these novels. |
| 0:48.2 | And then we have the three non-nightfail novels. |
| 0:50.6 | We have Alice's In Dead, a new standalone retelling of the Alice's In Dead podcast. |
| 0:55.8 | There is The Halloween Moon, my middle grade novel about a girl who loves Halloween more than anything |
| 1:02.0 | until one year Halloween just won't end. |
| 1:04.5 | And you feel it just below the ribs. |
| 1:07.4 | A new story in the same world as the Within the Wires podcast. |
| 1:11.7 | Finally, I wrote a memoir with my wife, Meg, touring MC of Nightfail on the Voice of the Nightfail Credits. |
| 1:17.2 | In it, we trace the first ten years of our relationship from each of our points of view |
| 1:21.0 | without consulting the other one. |
| 1:22.8 | It's a book about love and memory and how every marriage is two people who may or may not see their lives completely differently. |
| 1:29.2 | It's called The First Ten Years. |
... |
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