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The Important Cinema Club

#220 - The Unacceptable History of Wakefield Poole

The Important Cinema Club

Justin Decloux and Will Sloan

Tv & Film

4.7576 Ratings

🗓️ 27 July 2020

⏱️ 33 minutes

🧾️ Download transcript

Summary

Did you know that there was a hardcore feature that was a crossover hit a year before DEEP THROAT came out? Isn't it weird most people haven't heard of it? It's because it was a gay porno. We discuss the work of Writer/Director Wakefield Poole and focus on his seminal film BOYS IN THE SAND, BIJOU, THE BIBLE, and TAKE ONE. In this week's Patreon episode, we discuss NOSFERATU IN VENICE. Become a Patreon subscriber for $5 a month and get an exclusive episode every week! www.patreon.com/theimportantcinemaclub

Transcript

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0:00.0

Hello, my name is Justin the Clue, and I'm here today with Will Sloan, and you're listening

0:08.9

to The Important Cinema Club. And today, we're talking about Wakefield Pool, the godfather of the gay

0:16.8

porn genre. This isn't the first time we've ventured into pornography on this podcast. One of the

0:23.0

reasons I find it interesting, in addition to the fact that I just love watching fucking and

0:27.4

suckin, is because it is, you know, the most abject of film genres. And you don't get any more

0:35.8

abject than gay porn, which even the amount of celebration,

0:40.6

the modest amount of celebration and cultural canonization that straight porn has achieved,

0:46.9

has eluded gay porn.

0:49.1

But I think Wakefield Pool is probably the most famous O'Tooer, right?

0:52.9

Oh, definitely.

0:53.9

And you look at his movies, and it's very clear why,

0:57.1

because he approached them not specifically from the get-go as a purely,

1:02.3

all right, let's just do this nuts and bolts.

1:04.4

We're just going to give them what they want.

1:05.9

We can make some money.

1:06.9

You know, the loop way.

1:08.4

But there was an intent of, all right, I'm going to try to be artistic

1:12.3

with these and to find an audience that is even just beyond the people who would be just

1:18.0

jerking off in the cinema. So imagine, folks, a movie comes out in the early 1970s. It's a

1:23.5

hardcore pornographic film. Most of the audience who goes to see it will have never seen a hardcore pornographic film.

1:30.1

It's advertised in the New York Times.

1:32.7

It attracts audiences not just of the Raincoat Brigade, but also of middle class and upper class curiosity seekers.

...

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